Minggu, 30 Oktober 2011

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Few, if any, twentieth-century political leaders have enjoyed greater popularity among their own people than Hitler did in the decade or so following his rise to power in 1933. The personality of Hitler himself, however, can scarcely explain this immense popularity or his political effectiveness in the 1930s and '40s. His hold over the German people lay rather in the hopes and perceptions of the millions who adored him.

Based largely on the reports of government officials, party agencies, and political opponents, Ian Kershaw's groundbreaking study charts the creation, growth, and decline of the "Hitler myth." He demonstrates how the manufactured "Fuhrer-cult" served as a crucial integrating force within the Third Reich and a vital element in the attainment of Nazi political aims. Masters of the new techniques of propaganda, the Nazis used "image-building" to exploit the beliefs, phobias, and prejudices of the day. Kershaw greatly enhances our understanding of the German people's attitudes and behavior under Nazi rule and the psychology behind their adulation of Hitler.

  • Sales Rank: #446750 in Books
  • Published on: 2001-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.90" h x .70" w x 7.50" l, .59 pounds
  • Binding: Paperback
  • 320 pages

Amazon.com Review
Before writing the first volume of his substantial biography of Adolf Hitler, Ian Kershaw focused on the popular appeal of the Nazi dictator in The "Hitler Myth". Arguing that "the sources of Hitler's appeal must be sought ... in those who adored him, rather than in the leader himself," Kershaw shows how Hitler's public image welded together antagonistic forces within the Nazi state, mobilized the nation for war, and contributed to the ethos that animated systematic and genocidal violence.

Responding to historians who maintain that Hitler's personality or ideological fixations accounted for his broad acceptance, Kershaw argues that, in the early 1930s, a sizable plurality of Germans hungered for an omnipotent Führer to stand above the political disharmonies of the Weimar state. Later, foreign policy and military victories attracted many more to the Hitler legend. However, victories were the price for popularity; and Hitler became more and more bloodthirsty as both his image and regime foundered under the blows of the Allied powers. The Hitler myth, then--a cultural phenomenon the Reich Minister Joseph Goebbels claimed as his greatest propaganda triumph--became a fundamental cause for the collapse of the Nazi State.

Kershaw's authoritative history of political culture in Hitler's Germany forcefully demonstrates that the Führer's popularity rested less on "bizarre and arcane precepts of Nazi ideology than on social and political values ... recognizable in many societies other than the Third Reich." In our present political environment, which repeatedly features outcries for "leadership" from pundits and public servants alike, the disturbing lessons of The "Hitler Myth" are an urgent warning. --James Highfill

Review

"The strength of Kershaw's study is that he moves beyond a description of the construction of the 'Hitler myth' to analyze its strength and resiliency."--The Richmond Times-Dispatch


Language Notes
Text: English, German (translation)

Most helpful customer reviews

63 of 70 people found the following review helpful.
A solid, interesting survey
By I should be at the gym
"The Hitler Myth" is essentially a charting of the effectiveness of--though not an in-depth investigation of--the propaganda machine relative specifically to how the German populace viewed Adolf Hitler from the late 1920's through the duration of the war. Kershaw measures the propaganda machine's effectiveness through 1) opinion poll results, 2) voting figures, and 3) anecdotal documentation, especially reports from Nazi Party functionaries regarding what might today be called "the word on the street."

What ends up being Kershaw's most strongly stressed observation in the text is the persistence in Nazi Germany of public "excusablility" of Hitler (my clumsy term, not Kershaw's) or a sort of "blame transfer" (again, my inadequate term) that existed relative to any negative news or regime mistakes.

In other words, when things went wrong, the public--in a seemingly maniacal way--held onto a "BUT IT'S NOT THE FURHER'S FAULT" mentality. Concomitant to this reality is the extent to which the Nazi Party was actually actively disliked by huge swaths of the population of Germany from quite early on (pre-war), and even more so by the beginning of hostilities with the Allies. Nonetheless, none of that displeasure seemed to get applied to Hitler himself until much, much later. Kershaw's fairly convincing stream of written evidence shows that the public persistently disassociated Hitler from the over-zealous policies, corruption, or flat-out bad ideas and brutish stupidity of the Nazi regime by assuming that Hitler was being misinformed by sycophants, or was being foiled by the pernicious British, or was simply too absorbed with genius foreign policy and thus distracted from domestic concerns, etc. In fact, the evidence suggests that during many points of the Third Reich's embarrassing reign, at least up until the defeat at Stalingrad, when the popularity of the Nazi Party worsened, Hitler's personal popularity actually increased.

The "why" behind all this is tricky, and Kershaw is honest enough to say so, admitting that he doesn't have a complete answer. But, his exhaustive research over the years has helped. Clearly, he thinks that the Nazi propaganda machine and its persistent application is the principle reason for the amazing success of the "Hitler myth." Or, to put it in modern pundit parlance: "It's the media, stupid." Control of communications by savvy, Machiavellian manipulators like Joseph Gobbles allowed for Hitler to always be positioned (literally, too!) in the best possible light, no matter what the national or international circumstances.

A secondary but important factor in the vitality of the Hitler myth was simply a desperate German thirst for leadership (decisive leadership or at least decisive-sounding) in the wake of 20 years of highly dysfunctional adolescent democracy burdened by rank corruption and destabilized by what was at the time the compelling Communist alternative, Communism having not then been discredited anywhere in the world nearly to the extent it has been now.

While Kershaw does not apply the lessons of the Hitler myth directly to any aspect of today's political environment, some parallels are there, and he discretely suggests as much in a few places in the text. Kershaw wisely leaves it up to you, the reader, to plumb them. I suspect that Kershaw, being a British citizen and longtime observer of the media of the past, cannot help but find some slight comparisons--arguably worrying--between the inability of the German media to respond critically to Hitler and the inability of the modern media to do the same relative to national leaders or powerful and essentially conservative or nationalistic movements, particularly in the United States and in those large regions of the Middle East served by Al-Jezeera's news service. Of course media observers, including some of Kershaw's professional colleagues, outside of the U.S. and some within (where it is considered fairly "politically incorrect") have drawn parallels to the staging of Hitler-focused Nazi propaganda events and rallies and those staged by the current American presidential administration. Parallels have also been drawn--much more often in Kershaw's native Britain than in the U.S.--between the Third Reich's control of the media the corporate control of the media today. (Incidentally, Kershaw does somewhat discuss public partisan events, especially Nazi rallies in small communities and parades in Berlin and elsewhere, and it is interesting to read the obsessively detailed accounts of official Nazi reports citing how many people were in the crowds during parades, what percentage of them seemed to be executing the Nazi salute, and so forth.) Granted, the media's inability to serve genuine public discourse today and be properly critical (I use "critical" in the same sense of the word as it is used in the term "critical thinking;" that is, "critical" meaning the qualities of being careful, objective, and intellectually rigorous, not necessarily "negative") is less severe today that than in Germany in the 1930's and 1940's. But, that begs the question: just how un-critical is uncritical *enough* to cause great harm to a society, nation, or culture, particularly a Western one?

If there is a glaring omission in Kershaw's book, it is that of technological and sociological context relative to media. His entire text is about propaganda, media, and public perception, and yet there is no examination of just how many of the German people read newspaper, how many newspapers there were, how many of the people listened to radio, how many hours, and what radio shows existed, and what the options were. In fact, at times it seems Kershaw was too close to his own material, and failed to realize that the basics of the media landscape of Germany from the 1920's through the 1940's isn't something even erudite readers are likely to understand today. Granted, he touched on points of this landscape: there are brief mentions of posters and their use, or the number of Hitler's speeches and their frequency; there are citations throughout from specific newspapers, including underground anti-Nazi publications (some of which, in retrospect, seem to have been stirringly prescient and clear-sighted, so much so as to make me shake my head at times while reading their predictions and worries about what Hitler would bring to the German people and Europe). But, it was not nearly a coherent enough picture. Even just one or two pages of text giving an overarching view of the German media landscape during the 1920's and 1930's would have been extremely helpful.

27 of 30 people found the following review helpful.
Solid work
By Thomas W. Robinson
Kershaw is probably more famous now for his two part bio of Hitler, but he wrote this book around 1980 and it is still one of the best works on how propaganda painted a picture of the Fuhrer. What one finds out through reading this book is a glmpse into everyday life for Germans, how propaganda kept Hitler's popularity up despite the popularity of the Nazi Party declining, and how propaganda gave the general public a distorted view of Hitler. We also see how the public could have supported someone like Hitler and his party. Often times with the Nazi era, it is hard to understand how ordinary citizens supported the party considering what we know now, but of course people at the time did not expect a world war or the holocaust to happen. Kershaw does an excellent job of hitting this theme as he puts the reader in the time period so we see why Hitler and the Nazis rose to power. We also see that the Nazi's often times downplayed their anti-Semitism before taking power and their hatred of the Jews was not amongst the reasons most ordinary people voted Nazi or supported Hitler. All in all, this book is a must read for anyone interested in the Nazis or the use of propaganda. The book is scholarly, but for the most part is easy to read and flows pretty well.

36 of 45 people found the following review helpful.
Great Book on understanding Nazi Propaganda
By Lloyd Greg
In the late summer months of 1933 and 1934, groups of German citizens flocked to Berghof hoping to catch a glimpse of Adolf Hitler walking through the countryside . Filled with a zealous belief for the `Hitler Myth', post World War I Germany surrendered itself to Nazi propaganda. Responding to the humiliating treaty of Versailles and the economically unstable Weimar Republic, Hitler took on the Weberian characteristics of charismatic leadership . Unconditional loyalty and unquestioned faith in the Fuhrer rekindled historical notions of charismatic authority within the German psyche. Only after millions of European deaths and an Allied imposed peace could Germany finally tear itself away from the spell of Adolf Hitler.
Unlike other chroniclers and scholars of the Nazi regime, Ian Kershaw in his book The Hitler Myth: Image and Reality in The Third Reich, examined the subtle distinction World War II German citizens carried in their assessment of Hitler and the Nazi Party. According to Kershaw, Hitler realized that the personality cult constructed around him could be used to cement the integration of the Nazi Party and the German populace. Indeed, the spell of Hitler or the myth of Hitler did not always exactly correspond with the German populace's perception of the Nazi Party. Throughout his well documented work, Kershaw makes the case that the `Hitler Myth' held a different form of allegiance within World War II Germany. The `Hitler Myth' unlike the Nazi party, prevented the German citizen from abandoning the Fuhrer in his quest for European dominance . It was trust in Hitler not in allegiance to the Nazi Party that propelled many German citizens to fight through World War II, despite food shortages and mounting casualties. Only after the dropping of 1,202,000 tons of bombs in 1944 did the majority of the German populace awaken to the reality of the Third Reich and realize the linkage between the devastating policies of the Nazi party and `The Hitler Myth'.
The separation of the Fuhrer from the Nazi party began with the incarceration of Adolf Hitler at Landsberg in 1924. Prior to his jailing, Hitler merely saw himself as an intrepid vanguard for a future National Socialist dictator . Only after a period of gestation when Hitler read voraciously, wrote Mein Kampf, and received countless party visitors did the future Fuhrer bloom to the realization that he could carry the mantle of National Socialism and assume the untapped potential of the `Hitler Myth'. Only a year prior to Hitler's incarceration, the German populace viewed the Munich orator as little more than a "vulgar demagogue". With his Landsberg transformation, Hitler assumed the reigns of the Nazi Party.
Appealing to the German middle classes, Hitler promoted a message of anti-Marxism and strong authoritarian leadership. While assuming political power for the Nazi Party, Hitler subtly cultivated his own cult of personality and authority by issuing a 1933 directive through the Minister of the Interior calling for the compulsory greeting of `Heil Hitler' for all governmental employees . More than jailings, beatings, and political sabotage, the greeting of `Heil Hitler' provided the Fuhrer with a subtle tool for manufacturing German consent. This consent was needed in 1933-41 as the Nazi party failed to uphold promises of economic renewal and growth . Despite material dissatisfaction, the German populace did not reject the `Hitler Myth' which was seen by many Germans inhabiting an allegiance outside the political and economic system.
Hitler realized that the continued allegiance of the German populace needed to be sustained by tangible triumphs. The growth of Lebensraum not GDP was an essential component in fostering the `Hitler Myth'. In 1938 and 1939, Hitler created a mythos of `Triumph without Bloodshed' by occupying the Sudentanland with a perceived skill and strong armed diplomacy. If Landsberg secured the `Hitler Myth' within the Nazi Party structure, the Munich Crisis convinced a majority of the German citizens to unquestionably follow the charismatic and diplomatically agile leadership of Adolf Hitler. Following victories in Denmark, Norway, Poland, and France, the `Hitler Myth' encapsulated all of Germany, since military action failed to make a serious dent in the living conditions of late 1930's Germany .
The growth of Lebensraum and `Hitler Myth' met their fate in the Stalingrad winter of 1943. Despite claims of fighting a Valhallian death, Hitler and the Nazi propaganda machine of Joseph Goebells could not mask the defeat of General Paulas and the surrender of 90,000 German soldiers . In addition, the North African military reverses and the treatment of Germany's mentally ill, chipped away at the Hitler Myth . Though Hitler was losing his dream of Lebensraum, the Hitler myth still showed its tenacity through the Final Solution.
For Kershaw, the Hitler Myth provided the German populace with an excuse to disassociate themselves from the genocidal anti-Semitism taking place across the Eastern Front. In a 1942 survey of Nazi party members, 42% of those sampled which was the largest percentage of the opinion poll, indicated that they had no interest in the fate of the Jews. In fact, the German populace never heard Hitler speak of the Jewish question in any public speeches from 1933 to 1934. Clearly, Hitler promoted the Fuhrer myth to two different audiences with two different objectives. The `Hitler Myth', which was promoted to the public, focused on a growth of Lebensraum and a linkage to the Nazi Party agenda. While the `Hitler Myth' encapsulating the Nazi Party apparatus insured unyielding loyalty to the Fuhrer and a direct participation within the Final Solution .
Only after World War II could the world and many German citizens obtain an accurate picture of the Third Reich. The Final Solution and the irrational quest for Lebensraum were finally upheld to a public light. However, this awakening came in 1945, not in 1933 when Adolf Hitler obtained the Chancellorship. For almost twelve years, the majority of the German people never questioned the "Hitler Myth'. Only after an allied bombing campaign that directly affected 1 in 3 Germans did the Volk turn away from Hitler . By 1945, German citizens no longer found the "Hitler Myth' in the sunny garden of Berghof but could see it in the morbid bunker of Berlin.

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Cellular solids include engineering honeycombs and foams (which can now be made from polymers, metals, ceramics, and composites) as well as natural materials, such as wood, cork, and cancellous bone. This new edition of a classic work details current understanding of the structure and mechanical behavior of cellular materials, and the ways in which they can be exploited in engineering design. Gibson and Ashby have brought the book completely up to date, including new work on processing of metallic and ceramic foams and on the mechanical, electrical and acoustic properties of cellular solids. Data for commercially available foams are presented on material property charts; two new case studies show how the charts are used for selection of foams in engineering design. Over 150 references appearing in the literature since the publication of the first edition are cited. It will be of interest to graduate students and researchers in materials science and engineering.

  • Sales Rank: #954075 in Books
  • Published on: 1999-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x 1.06" w x 6.85" l, 1.97 pounds
  • Binding: Paperback
  • 532 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Most comprehensive book on cellular structures
By J. Benson
I'm a masters student working on cellular plastics and I refer to this book almost daily. It compiles all of the most relevant theories and physical models for many different types of cellular structures. This book is a must-have for any laboratory or student working on cellular materials.

3 of 3 people found the following review helpful.
Honeycomb structure
By Jose R. Anfossi Orellana
i purchased this book to have some information about the Honeycomb structure and is very complete about this item.

José Anfossi
Civil Mechanical Engeneering Student
Concepcion's University
Chile

0 of 0 people found the following review helpful.
Book condition and contents
By HAZEM E SOLIMAN
The book condition was excellent. The contents are not up to date with the latest in the industry and published research

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The Complete Magnolia Bakery Cookbook: Recipes from the World-Famous Bakery and Allysa Torey's Home Kitchen, by Jennifer Appel, Allysa Tor

The complete and “charming” (Gourmet) collection of deliciously old-fashioned and deeply satisfying recipes from everyone’s favorite New York City cupcake bakery.

Ever since the original Magnolia Bakery opened its doors in 1996, people have lined up day and night to satisfy their sugar cravings—and this book is Magnolia’s comprehensive guide to making all of their beloved desserts, including their home-style cupcakes, layer cakes, banana pudding, and other treats.

Illustrated with color and black-and-white photographs that capture the daily life of the bakery, The Complete Magnolia Bakery Cookbook shows you how to make their famous banana pudding, sinfully rich buttercream icing and red velvet cake, and dozens more irresistible desserts.

Note : This book has got a "Rough-Cut" binding, which is why the sides are irregularly cut. It is not a kind of manufacturing defect, rather it a kind of binding used to give an antique look to the books

  • Sales Rank: #29021 in Books
  • Brand: Appel, Jennifer/ Torey, Allysa
  • Published on: 2009-11-03
  • Released on: 2009-11-03
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x .90" w x 7.50" l, 1.32 pounds
  • Binding: Paperback
  • 240 pages

About the Author
Allysa Torey and Jennifer Appel are the founders of the Magnolia Bakery in New York City. In 1999 Jennifer Appel left to open Buttercup Bake Shop, which has two locations in Manhattan, where she resides with her husband and daughter. Allysa Torey lives with her son Wilson Henry in upstate New York, where she spends her time writing, cooking, gardening, and taking long walks through the hayfields with her collies Sam, Daisy, and Honey.

Most helpful customer reviews

2 of 2 people found the following review helpful.
You love it, but your waistline won't
By Heather D
If you don't actually own any of the previous magnolia cookbooks, you'll find this one is PERFECT. Fantastic recipes, from frostings and cakes to muffins and cookies. I use the cream cheese recipe in here as my go-to frosting recipe.

Honestly, the book is great. It's a great staple for my recipe library and the recipes range in difficulty from easy to hard. If you don't have this in your cupboard, then I would make sure it gets there!!

2 of 2 people found the following review helpful.
Great cakes
By Kindle Customer
love all the recipes in here and I can wait to make more recipes. Made lemon cupcakes and vanilla cake and both are delish. Great baking tips and love the story behind each recipe. Great book!

1 of 1 people found the following review helpful.
Very disappointed..
By yoonshin lee
Almost no pictures to see how it'd look.
Very disappointed..

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[A996.Ebook] Get Free Ebook Graphic Design for Architects: A Manual for Visual Communication, by Karen Lewis

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Graphic Design for Architects: A Manual for Visual Communication, by Karen Lewis

Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics – to address every phase of architectural production.

This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process – not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication.

Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects’ work. In this way, readers don’t have to search through graphic design books to figure out what’s relevant to them – this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.

  • Sales Rank: #65137 in Books
  • Published on: 2015-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: .70" h x 7.40" w x 9.50" l, .0 pounds
  • Binding: Paperback
  • 224 pages

Review

‘By clearly demonstrating, both as an example itself as well as through explaining its procedures, the numerous formats and techniques within architecture's extended field of production and reproduction (Portfolios, RFQs, Proposal Books – the extensive combinations of images, texts, diagrams, and spreadsheets that are, in total, and in various permutations, the architect's mode d'emploi) Graphic Design for Architects is not only a useful subject, but also a required skill, and now a necessary volume for any architect’s studio bookshelf.’ - John McMorrough, Associate Professor, Taubman College of Architecture and Urban Planning, University of Michigan, USA

'Graphic Design for Architects - A Manual for Visual Communication is a comprehensive overview that is compelling for both written content and the wide-ranging use of graphic examples in the book. The combination of interviews together with numerous contributors adds a wealth of experience and knowledge into this work. I'm fairly certain that most readers will learn something from this book as it is filled with examples and alternative approaches. For the non-architect, this book will reveal some the architectural secret-sauce that is commonly seen on project sights - thereby helping the reader to appreciate what the architect was trying to do with his presentation.' - Jeff Thurston, 3D Visualization World Magazine 

About the Author

Karen Lewis is an architect, educator and designer who works at the intersection of information, architecture and landscape. Her design work and research in infrastructural systems, data visualization and graphic techniques have been recognized internationally. Currently Karen Lewis is a tenured professor on the architecture faculty at the Knowlton School of Architecture, Ohio State University, USA.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book
By dan k.
I'm a professional graphic designer dealing mostly with print. I took this book out from the library because it seemed like a good resource. I'm very happy with it and fount it very useful - I ended up purchasing a copy.

2 of 2 people found the following review helpful.
This is a really good one.
By Kyle Ezell
I love this book. As a city planning professor and a practicing city planner, I've been waiting for this book. My planning students are expected to demonstrate a working knowledge in executing graphic design for presentations, posters, resumes, portfolios, maps, information graphics, books/plans, and many other products. Most of my students don't have confidence in their graphics skills because it is very hard to teach students how to be good designers. A quick page through Lewis' book, students "get it" and are eager to understand the art and science behind her intelligently crafted lessons. This book is now required reading for every student in the city planning program. I am certain that the quality of our students' graphic communications skills will rise as a result. Although this book's title suggests that it is for architects, city planners, landscape architects, and other similar fields of study will greatly benefit from the books lessons. Even MBA students with great business ideas could learn how to 'wow' their cohorts in presentations and with their final products. In fact, professionals in any field can learn how to become more convincing by using graphics in a smart way. This gorgeous work is already one of my favorite reference books and I predict it will become an important resource inside and outside of classroom. I'll bet that you will love it, too.

1 of 1 people found the following review helpful.
and professional resumes look like. It proved to be a key source in ...
By Nathan Mosure
This book has proven to be a an extremely helpful tool in both my resume development, and designing my portfolio. The book lists guidelines and has multiple examples of what well crafted student, and professional resumes look like. It proved to be a key source in creating my portfolio as well. As an architecture student at the Ohio State University, it was easy to follow and help me produce a stunning student portfolio with its step by step template guidelines and recommendations for type faces, page layout, and graphic display.

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Kamis, 13 Oktober 2011

[G576.Ebook] PDF Download The missing link in modern spiritualism, by A. Leah Underhill

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The missing link in modern spiritualism, by A. Leah Underhill

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

  • Published on: 1885-01-01
  • Dimensions: 8.00" h x 1.29" w x 5.00" l,
  • Binding: Paperback
  • 516 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A BOOK BY THE ELDEST OF THE FOX SISTERS
By Steven H Propp
Ann Leah Underhill (1814-1890) was eldest of the Fox sisters whose reports of spirit "rappings" launched the Spiritualist movement in the 19th century; Leah was the manager of her two younger sisters (the next-older sister Margaret ultimately confessed in 1888---before this book was written---to bogus "manifestations").

As her sisters' rappings became known, "Many of our visitors were anxious to learn, through the Spirits, how to make a fortune. Some wished to know the secrets of others... some wanted to know what numbers they should buy in a lottery, to be successful; others would wish to be advised in their stock speculations. To all such questions ready responses were given, but invariably ended in failures." (Pg. 52-53) After they engaged a hall to display their show, "Our career was now commenced. After all our resolving not to go any more before the public, we had been forced to let the world know what was revealed to us, and what was meant not for us alone." (Pg. 117) Later, she admits, "We received a good deal of money... but it was as freely spent as given. We, none of us, have ever been accused of the spirit of hoarding..." (Pg. 263-264)

She quotes a 1851 newspaper account which presciently stated, "the rappings... are produced by the action of the will, through voluntary action on the joints... the noises precisely identical with the 'spiritual rappings' may be produced in the knee joints." (Pg. 169) She indignantly replied to the paper, "we are very willing to undergo a proper and decent examination, provided we can select three male and three female friends who shall be present on the occasion." The examination was arranged, and "as we, Maggie and I, sat together on a sofe, and after long waiting no raps came, one of them rested his arm on the back of the sofa and actually, with his knuckles, made behind me three raps which were not a bad imitation." (Pg. 172-173) She recounts another test environment, when investigators concluded "the mediums have no more power over the sounds than the investigators have." (Pg. 259)

Regardless of one's opinion of the Fox sisters, this is must reading for anyone interested in the history of the Spiritualist movement.

1 of 1 people found the following review helpful.
Important primary source written in more difficult 19th century style
By Robert C. Bright Jr.
A primary source written by the eldest Fox sister, a founder of Modern Spiritualism. I gave this volume three stars because the writing style is more difficult for the 21st century reader than many other 19th century authors. I kept expecting to encounter the Lord Blackadder's 'contrafibularities,' his comedic attempt to out smart Dr. Johnson.

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Minggu, 09 Oktober 2011

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Ready to Write  marks 25 years of this easy-to-teach series, which provides basic writing instruction, dependable strategies, and many opportunities for students to use the composition skills they need to be successful writers in and out of the classroom.

 

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  • Step-by-step activities guide students in comparing and contrasting, describing, analyzing data, writing test answers, and summarizing. Varied, contextualized writing tasks help students with real-life tasks.
  • Editing and proofreading exercises encourage students to refine their writing skills.
  • New! Grammar Guide section presents important grammar points and practice items to boost accuracy.

Ready to Write also includes:

 

Ready to Write 1

Ready to Write 3

 

 

  • Sales Rank: #87726 in Books
  • Published on: 2010-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .60" w x 8.20" l, .90 pounds
  • Binding: Paperback
  • 214 pages

From the Back Cover
Ready to Write marks 25 years of this easy-to-teach series, which provides basic writing instruction, dependable strategies, and many opportunities for students to use the composition skills they need to be successful writers in and out of the classroom.

 

A fresh new design, updated content throughout, and a host of new activities reinforce the approach that has made the Ready to Write series a classroom favorite for more than two decades.

 

Features:

  • Updated examples and model paragraphs illustrate organizing elements such as topic sentences, supporting details, and signal words.
  • Step-by-step activities guide students in comparing and contrasting, describing, analyzing data, writing test answers, and summarizing. Varied, contextualized writing tasks help students with real-life tasks.
  • Editing and proofreading exercises encourage students to refine their writing skills.
  • New! Grammar Guide section presents important grammar points and practice items to boost accuracy.

Ready to Write also includes:

 

Ready to Write 1

Ready to Write 3

 

 

About the Author
Karen Blanchard and Christine Root each have taught English language instruction at the university level for more than twenty years. Karen has an M.S.Ed in TESOL from the University of Pennsylvania, and Christine has an M.Ed in English Education from the University of Massachusetts, Boston. They began their textbook collaboration with the "Ready to Write" series while they were lecturers at the University of Pennsylvania. They have since written many reading and writing skills books and continue to enjoy working together to create English language textbooks for students around the world.

Karen Blanchard and Christine Root each have taught English language instruction at the university level for more than twenty years. Karen has an M.S.Ed in TESOL from the University of Pennsylvania, and Christine has an M.Ed in English Education from the University of Massachusetts, Boston. They began their textbook collaboration with the "Ready to Write" series while they were lecturers at the University of Pennsylvania. They have since written many reading and writing skills books and continue to enjoy working together to create English language textbooks for students around the world.

Most helpful customer reviews

0 of 0 people found the following review helpful.
many thanks!
By Teresa
i like this book because it has a lot of info that it's helpful.
I Like that this book arrive very soon from the time that I ordered.
It came in perfect conditions and earlier than other books that I already ordered at the same time.
Many thanks
Teresa

0 of 0 people found the following review helpful.
Opinion
By Irene Zabre
Needs more examples already answered, quantity of exercises is excellent.
Quality of paper, needs to be thicker for the cover only

0 of 0 people found the following review helpful.
the book was perfect.
By Amelia Bello
It was for my aunt, the book was perfect.

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Jumat, 07 Oktober 2011

[Z979.Ebook] Ebook Coastal Bottom Boundary Layers and Sediment Transport (Advanced Series on Ocean Engineering (Paperback)), by Peter Nielsen

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Coastal Bottom Boundary Layers and Sediment Transport (Advanced Series on Ocean Engineering (Paperback)), by Peter Nielsen

This book is intended as a useful handbook for professionals and researchers in the areas of Physical Oceanography, Marine Geology, Coastal Geomorphology and Coastal Engineering and as a text for graduate students in these fields. With its emphasis on boundary layer flow and basic sediment transport modelling, it is meant to help fill the gap between general hydrodynamic texts and descriptive texts on marine and coastal sedimentary processes. The book commences with a review of coastal bottom boundary layer flows including the boundary layer interaction between waves and steady currents. The concept of eddy viscosity for these flows is discussed in depth because of its relation to sediment diffusivity. The quasi-steady processes of sediment transport over flat beds are discussed. Small scale coastal bedforms and the corresponding hydraulic roughness are described. The motion of suspended sand particles is studied in detail with emphasis on the possible suspension maintaining mechanisms in coastal flows. Sediment pickup functions are provided for unsteady flows. A new combined convection-diffusion model is provided for suspended sediment distributions. Different methods of sediment transport model building are presented together with some classical models.

  • Sales Rank: #1592290 in Books
  • Published on: 1992-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .80" w x 5.90" l, 1.10 pounds
  • Binding: Paperback
  • 324 pages

Review
"The book has a good balance between mathematics and discussions of the physics involved. The author has certainly produced a well-written, carefully organized and informative book representing an important link between boundary layer flow models and the resulting sediment transport. It is on this basis that I recommend the book, which should be very useful for both scientists and engineers working in the area of coastal process modelling. The book should also be well suited for use in graduate student courses." D Myrhaug Coastal Engineering, 1993 "... a well-written book. Mathematics is kept to a minimum and there are a number of helpful worked examples ... Nielsen's book describes what may well be the majority view in ten years time." J F A Sleath J. Fluid Mech., 1995

About the Author

Peter Nielsen is an experienced mariner and the editor of "SAIL" magazine. He was previously editor of "Yachting Monthly" magazine in the United Kingdom.

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Senin, 03 Oktober 2011

[S113.Ebook] Free Ebook 13 1/2 Lives of Captain Bluebear, by Walter Moers

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13 1/2 Lives of Captain Bluebear, by Walter Moers

The 13 1/2 Lives of Captain Bluebear is playful enough for young adult readers, yet as intricate and engaging as any work of literary fiction; it has the plot of a novel and the spontaneity and humor of a vintage comic book.

"A bluebear has twenty-seven lives. I shall recount thirteen and a half of them in this book but keep quiet about the rest," says the narrator of Walter Moers’s epic adventure. "What about the Minipirates? What about the Hobgoblins, the Spiderwitch, the Babbling Billows, the Troglotroll, the Mountain Maggot…Mine is a tale of mortal danger and eternal love, of hair’s breadth, last-minute escapes." Welcome to the fantastic world of Zamonia, populated by all manner of extraordinary characters. It’s a land of imaginative lunacy and supreme adventure, wicked satire and epic fantasy, all mixed together, turned on its head, and lavishly illustrated by the author.

  • Sales Rank: #78612 in Books
  • Brand: Brand: Overlook
  • Published on: 2006-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.50" w x 6.20" l, 1.52 pounds
  • Binding: Paperback
  • 704 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. Nine-lived cats have nothing on the "bluebear," who, according to German author and illustrator Moers, has a whopping 27 lives. In this inventive, zany, fun-for-all ages odyssey (a bestseller in Europe), an intrepid "seagoing bear" offers his "demibiography." A foundling floating in a nutshell on the Zamonian Sea, the azure-furred Bluebear is rescued by Minipirates, impish nautical geniuses, who raise him and then, after he gets too big, abandon him to live out 13 lifetimes of adventure populated by a dizzying array of eccentric characters. Among them, two argumentative waves known as the "Babbling Billows" teach Bluebear speech, sage dinosaur Mac (real name: Deus X. Machina) extends friendship and Professor Abdullah Nightingale at the Nocturnal Academy offers a particularly intense and wacky education. Even readers with short attention spans will find themselves captivated by the nonstop parade of madcap characters as treacherous predicaments resolve themselves with charming ease. Magnificent sugarstorms, tornadoes inhabited by old men and "dimensional hiatuses" propel the independent, indefatigable Bluebear to Atlantis, where he must demonstrate the relevance of his experiences in a psychological duel of sorts. Comparisons to Harry Potter aside, Moers's kaleidoscopic expedition is fanciful and endlessly entertaining. 136 b&w illus.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–This novel opens with the title character's first memory: as a cub floating in the ocean with a nutshell for a life raft, he heads straight for a giant whirlpool threatening to suck him down. After he's rescued by a boatload of Lilliputian pirates, Bluebear enters into a life (or 13½ lifetimes) filled with humor and adventure. Each life has a different challenge to overcome, pitting him against the likes of headless giants and storytelling contests. The book is one part Norton Juster's The Phantom Tollbooth and two parts Douglas Adams's The Hitchhiker's Guide to the Galaxy. Each adventure mixes fantasy, science fiction, and fables in a satirical cocktail that readers can't help but gulp down. The quirky writing is definitely strong enough to carry itself, but Moers includes several black-and-white illustrations that enhance the whimsy. With so many little side trips in Bluebear's narrative, the story might frustrate those who prefer straight-line plots. But this is the kind of tale that readers have to just sit back and enjoy, wherever it takes them. The ending does tie the loose threads together. A wild, fun-filled ride.–Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
A blue bear named Bluebear begins his adventures in Zamonia, which was once part of the lands humans know, when small enough to float in a walnut shell bobbing toward a hole in the sea. He is rescued by the Minipirates, who are so small that ordinary sea-goers have no inkling of their mastery of the sea. Eventually, he grows too large to remain with the Minipirates, who regretfully maroon him on an island. In his subsequent travels, he meets fabulous and exotic people, makes friends and loses them, and is aided by a mental copy of Professor Nightingale's Encyclopaedia, his graduation gift from the professor's school. His story is illustrated by a vast number of bizarre black-and-white drawings that complement the chatty, easy prose perfectly. Bluebear still has 13 lives to go at the conclusion of his narrative because all bluebears live 27 lives, and he keeps the bluebears' secret for their sake. The tone in which the book ends is pleasant, for all adventurers eventually learn to settle down. Regina Schroeder
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Blue Bear left me blue
By Amazon Customer
The 13 1/2 Lives of Captain Blue Bear is the story of, well, the 13 1/2 lives of Captain Blue Bear. Like Walter Moers other stories, Blue Bear is a mix of fantasy and comedy set in Zamonia, a world like ours, only different. In his later novel, The City of Dreaming Books, he combines these literary genres flawlessly keeping the reader thirsty for more, but I felt that Blue Bear's background was drawn out to far making the overall story dry as the Demara Desert, yet palatable. Frequent excerpts from the Encyclopedia of Marvels, Life Forms and Other Phenomena of Zamonia and its Environs provided necessary story elements, but often pushed me to skip ahead a page just to avoid delving into the equally lengthy descriptions that began entertaining and later grew tedious. I expected more from a seasoned comic writer such a Moers, but this was not one of his best works.

0 of 0 people found the following review helpful.
Best Most CREATIVE AudioBook Ever! 5 's
By Donovan W
After listening to the audio version of this book I had to get the paperback and read it to my daughter! Please if you can find the time "commuting to work" to listen first DO IT! The books characters have some many different voices and the man that narrates it is BOSS!!! If you can afford the audio and paperback then pirate the audio and then purchase the paper back. This man needs many thanks for having such a great since of imagination, so get this and support the funny happy time it gives to us all! Hope this helped someone, even if it's just 1 of you ✌️

0 of 0 people found the following review helpful.
This book was recommended to me by a German friend who grew up ...
By Caroline Vogel
This book was recommended to me by a German friend who grew up reading it. I could not put it down! There is constantly a new adventure and more excitement on every page. As a college student the novel was complex enough to keep my attention and simple enough to restore my childlike wonder (similar to harry potter). Highly recommend.

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