Sabtu, 30 Maret 2013

[X171.Ebook] Ebook Download Kiki: My Stylish Life (A Branches Book: Lotus Lane #1), by Kyla May

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Kiki: My Stylish Life (A Branches Book: Lotus Lane #1), by Kyla May

Meet the Lotus Lane Girls!



This series is part of Scholastic's early chapter book line called Branches, which is aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!



Kiki, Coco, and Lulu are the BEST of friends. They even have their very own club! But Mika, the new girl, is shaking things up on Lotus Lane. This first book is written as Kiki's diary--with illustrations and doodles throughout. Kiki LOVES creating cool outfits, hanging out with friends, and collecting fun facts like these:

Fact: I am a member of the Lotus Lane Girls Club.

Fact: I will one day be a VERY famous fashion designer.

Fact: My new neighbor Mika is trouble--triple trouble!

Fact: Even chickens must look their best.



Read Kiki's diary to find out all about life on Lotus Lane!

  • Sales Rank: #7991 in Books
  • Brand: Scholastic
  • Published on: 2013-04-30
  • Released on: 2013-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 5.50" w x .50" l, .30 pounds
  • Binding: Paperback
  • 96 pages

From School Library Journal
Gr 1-3–Two beginning chapter books. Girlie girls will flock to My Stylish Life, in which details of Kiki's day-to-day adventures are revealed in diary style, complete with doodles and black-and-white drawings. The child and her friends form a club to do crafts, bake, and have sleepovers. Readers can continue the adventures from Lotus Lane in the books about the other club members. Add this one if journal/diary-style books are popular. The second book is easier than the first, and has less text. Missy can't wait for picture day. Her outfit will have “belts that glitter, tights with stripes, and shoes that shine.” Full-color cartoons capture her fashion style with ruffles, bling, and even goggles. However, when the big day arrives, Missy's mom has another idea about her picture-day outfit. Pouty, angry, and sad, the child is sent off to school without “ruffles, rainbows, ribbons, or sparkles.” After a few arguments with her classmate Oscar over trading chocolate pudding for carrots at lunch, it's finally time for the picture, and what Missy and Oscar end up wearing will surprise children. Plenty of drawings assist readers with plot development between panels, spreads, brief narrative, and captions. Speech bubbles are scattered throughout to enhance character development. Fans of Junie B., Eloise, and Ivy and Bean will laugh out loud as they follow Missy's adventures.–Melissa Smith, Royal Oak Public Library, MIα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
Girly girls who have outgrown the Fancy Nancy beginning readers will flock to this illustrated early chapter book about fashion-obsessed Kiki. Writing and drawing in an OTT (over the top) diary her mother gave her, Kiki discusses her BFFs in the LLGC (Lotus Lane Girls Club). Our girl loves an acronym; her sweater-wearing dog, Maxi; selecting outfits for Funky Fashion Friday; and stating facts (FACT: “I am 100% inspired by Mom’s kimonos!”). Throughout, there are hip line illustrations that reinforce the text, like a map of Kiki’s neighborhood, with each of her friends’ houses labeled, as well as IM messages and doodles. The plot moves quickly and includes your basics: friendship drama, a missing dog, pajama parties. This offers more of a reading challenge than early readers (particularly given the hand-lettered type on ruled notebook paper), and it is a nice stepping stone to more advanced chapter books. Looks like each of the LLGC girls will get their moment in the sun; next up is Coco: My Delicious Life, due out this summer. Grades K-2. --Ann Kelley

Review
Praise for LOTUS LANE #1: KIKI: MY STYLISH LIFE
"Girly-girls and fans of May's earlier books will eat this up....A good choice for girls who love sparkles." -KIRKUS REVIEWS

Most helpful customer reviews

10 of 10 people found the following review helpful.
A cute book that has its own place.
By L. Morales
As a mom of three strong, self motivated, A+ readers and one reluctant reader, it varies what makes a "good" book. I purchased Lotus Lane #1: Kiki for my third grade reluctant reader. She has had some fairly disturbing books, such as "Dragon Awakes," forced upon her in school, and she is turned off by books with trauma in them. Kiki is lighter, but it still has it's educational merits. Also thankfully Kiki is not sassy! The format is written as a diary, which got my daughter interested in writing in her own diary. Lines are used to simulate the journal, but the unintended benefit is that the lines help my daughter with eye tracking. She doesn't need a straight edge when reading this book. Kiki's friends are organized, and they even have a chart of their clubs/activities, where they meet, and what each activity club is about. I was happy my daughter had extra practice with her chart reading skills. Regarding the texting: My daughter's friends are in 3rd and 4th grade. Many of them use texting lingo in their notes to each other. My daughter felt out of the loop and wanted to learn. The texting used in the book is explained in plain English with proper spelling. This provided a motivation for my daughter to read the book, as well as a chance for us to discuss proper spelling when writing for school vs texting. I do not recommend this book for an in-depth study in children's literature. However I do recommend this book for reluctant readers interested in books about fashion and friendship and for readers that need something "fun" and "safe" to read before bedtime to keep their thoughts positive.

6 of 6 people found the following review helpful.
Love for Lotus Lane!
By Ami. S.
Grades 1-3 (according to the back cover of the book)

Reading Level 2nd grade (according to the back cover of the book)

I like this new series. Kiki is just the right mix of fluff and brains. She is a girl who likes to have sleepovers and eats cupcakes with fun flavors. She is a girl who sets goals and seeks to meet them. She is confronted with a situation (a new girl on her street who isn't nice) and although she isn't happy, she doesn't resort to name calling or plotting the ruin of the girl. She just seeks the friendship of her two best friends and continues on about her life and her goal of designing fashion. And, as luck would have it, she learns that the new girl isn't really that mean by the end of the book. Kiki and the new girl don't end up BFF's but they also don't end up enemies.

I think this book would be good for low level reading older grade girls such as 3-5 as well as the intended audience. I'm not sure a typical first grader could read this book on their own. The book is styled like a notebook/diary - the pages all have notebook lines on them. It is also sprinkled with texting talk like OTT (over the top) and BFF (best friends forever) as well as "fact" boxes. And there are also screen shots of the girls texting one another complete with texting lingo and emoticons. Non-texting girls may be a bit confused trying to read it, but then again, maybe there aren't that many nontexting children around anymore?! This book is a little fluffy, Kiki loves fashion, has sleepovers and make cupcakes with her BFF's but it's also got positive themes for girls. Kiki's mom is a professional stylist (showing a career in fashion), her friend Lulu is "always coming up with money-making ideas" and the girls' favorite movie is about a girl detective (who leaves a trail of glitter as she solves magical mysteries). It also has a bit of culture in it, Lulu is half French, Coco is Italian and the new girl is from Japan. Kiki learns about zen gardens and kimonos as she learns more about the new girl.

A teacher could use a bit of this book for a lesson in alliteration. The girls all live on Lotus Lane in Amber Acres. The main character is Kiki Keenan and her friends are Coco Corvino and Lulu Lyons. The new girl is Mika Maeda.

The illustrations in the book are similar to the Wimpy Kid series (black and white, stick figures with round heads) and distributed throughout the book in a similar way to Wimpy Kid, but these illustrations contain more detailed drawings than the Wimpy Kid series. Overall, this is a fun new series!

11 of 14 people found the following review helpful.
Not what I want my daughter reading
By SaraSuzy
Not easy to read, subject matter is so superficial that I felt myself and my daughter getting dumber as we read it. Too much "texting" in a book for little girls. We couldn't finish it...my 8 year old hated it.

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Jumat, 29 Maret 2013

[T624.Ebook] Ebook The Further Adventures Of Hedda Gabler, by Jeff Whitty

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Book by Jeff Whitty

  • Sales Rank: #1660343 in Books
  • Brand: Brand: Dramatists Play Service, Inc.
  • Published on: 2008-10-14
  • Original language: English
  • Dimensions: 7.50" h x 5.25" w x .25" l, .20 pounds
  • Binding: Paperback
  • 72 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
A witty play by Mr. Whitty
By Oakleaf
This is a funny romp with many of drama's famous characters, who live in an alternate universe when they're not on stage. Written by one of the creators of Avenue Q, it stars Hedda Gabler (waking up bewildered after her offstage suicide to find she has Mammy from Gone With the Wind for her maid, and Medea as a close neighbor), who learns she's condemned to keep repeating her tragic story whenever the play named for her is performed. Not one to settle for intolerable living conditions, Hedda determines to set out to change her destiny, and Mammy decides to come too. Hilarious adventures follow, including encounters with other characters from theater and literature, producing a sly meditation on the creative process. I had the good fortune to see this play produced at the Ashland Shakespeare Festival, and I hope it will taken up by other theater companies looking for a worthy project.

1 of 1 people found the following review helpful.
Parody to the highest order: hilarious!
By Mrs. J
I don't suppose anyone needs to be familiar with the original, but it certainly adds to the complete irreverentness and hilarity. "Oh, Hedda!" The material seems to move from one random scene to another, but no, it's Hedda, trying to find a way out, for good! Dante taking Hedda on a Borat tour into hell. It all comes together at the end in a satisfying way. Strong characterizations possible. Captures the readers/audiences attention and doesn't stop.

0 of 0 people found the following review helpful.
one of the better new works of comedy written lately
By thisMortalCoyle
brilliantly witty and beautifully crafted; the work of a true comic artist! I LOVE THIS PLAY. Every high school or undergrad program should add it to their drama canon as a sidebar to Ibsen studies

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Sabtu, 23 Maret 2013

[W433.Ebook] Get Free Ebook Sketches from a Hunter's Album: The Complete Edition (Penguin Classics), by Ivan Turgenev

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Sketches from a Hunter's Album: The Complete Edition (Penguin Classics), by Ivan Turgenev

Turgenev's first major prose work is a series of twenty-five Sketches: the observations and anecdotes of the author during his travels through Russia satisfying his passion for hunting. His album is filled with moving insights into the lives of those he encounters - peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers - each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led to his arrest and confinement to his estate, but these sketches opened the minds of contemporary readers to the plight of the peasantry and were even said to have led Tsar Alexander II to abolish serfdom.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #150227 in Books
  • Published on: 1990-12-10
  • Released on: 1990-12-10
  • Original language: Russian
  • Number of items: 1
  • Dimensions: 7.77" h x 1.24" w x 5.05" l, .60 pounds
  • Binding: Paperback
  • 416 pages

Most helpful customer reviews

49 of 52 people found the following review helpful.
Lessons from a Master
By Sanson Corrasco
It's taken me until now to get to Sketches From A Hunter's Album. Now I have finished it and now I am grieving. It will stay in my nonlending collection so I can savor it even after the surprise has gone. It's like losing a friend.
Turgenev calls these 'sketches' rather than stories. It's a good distinction. More story writers should concentrate on their sketch pads. The sketches are of places and people in the rural south of Russia in the 1840s. Each is strung thematically on Turgenev's wandrings through the countryside while hunting for game birds. Each begins with a mention that he was hunting in a certain place. He goes into lovely thoughtful and surprising descriptions of the woods or marsh, the sky, the smells, the sounds, the light. Even in translation, these are exquisite. He speaks of shifting light shining through the leaves onto the forest floor, or unbreatheable noonday heat, or changing skies at the advent of a storm, a dawn, or a sunset; he calls up moments from your own life that you thought could not be shared with anyone who wasn't there and he makes you relive those moments as if he had been there with you.
For anyone who has spent time out of doors, these little Aldo Leopold nature essays standing alone would be reason enough to read the 'Sketches', but these are just hors d'œuvre to his descriptions of the persons he meets while hunting. When sketching people, Turgenev does gracefully what Dickens tried to do and did clumsily; that is, he describes the physical characteristics of a person and gives you a fully formed description of their character as well, and he does this without sounding forced and without showing himself. (And you will burst out laughing at the sudden recognition that, indeed, someone does look 'like a root vegetable'.)
"Sketches" was published twice in Turgenev's lifetime and in the second edition he added to it. In the earlier sketches, Turgenev brings a character to life in a description; the character may speak a few words, and disappear from the scene, as people do in real life, leaving the reader to speculate what became of him. Yet, Turgenev has given us enough insight into the character that we think we know what probably happened next, and so the story is complete. These are elegant Aristotelian constructs with the action taking place offstage, and, oh elegance! with the final action taking place in the reader's imagination after the story has ended. If my description leaves you wondering, read them! (Would that I could spur you to act as Turgenev spurs his readers to think. Ah, but it's too much... .) This is what Turgenev does. He starts you thinking, but requires you to complete the story. In the later sketches Turgenev is just as deft in his descriptions, but perhaps to satisfy the market or his editors he adopts a more plot driven model. These later contributions can more truly be called stories rather than sketches. They are equally well-crafted, but they demand less of the reader. Curiously, they give us less as well.
The hunter's travels theme gives the collection an interrelatedness, almost like a picaresque novel. As in Huckleberry Finn or Don Quixote, neither the author nor the protagonist directly express opinions, but as stories accumulate the reader acquires the author's strong politicized view. We meet the aristocrats and peasants of rural Russia. The serf-holding system had been 'liberalized' in the early 19th century, but it is revealed as the unnamed slavery it was. Landlords control peasants' rights to marry; they name the persons to fill regional conscription quotas; they assign agricultural and residential alotments; and thoughtless and uncaring aristocrats use these powers carelessly or maliciously to destroy lives. Liberal aristocrats fare no better than traditional feudalists, as Turgenev details social reformers' well-meaning disasters which beggar both for the peasants and the bumbling aristocrats who direct them.
America often forgets that its civil war was part of a European pandemic of peasant revolts driven by the extended logic of the Enlightenment. As masters and slaves in the United States were struggling with the immorality of a divine order handed down from a prior age, the masters and servants in Europe did the same. The 1840s, 50s, and 60s were tumultuous times in central and eastern Europe. Turgenev, arrested and exiled in 1852 because of the 'Sketches', has an historical place akin to the American abolitionists of the same day, however, unlike Harriet Beecher Stowe, Turgenev draws his characters in three dimensions with humanity, with love and understanding even when he does not forgive them their moral failings. The 'Sketches' would be an interesting book to teach alongside Huckleberry Finn.

33 of 37 people found the following review helpful.
Turgenev, sportsman and ardent liberal
By Doug Anderson
Turgenev effectively invents a new form -- the literary sketch -- to impart a new kind of content. What is brilliant about these sketches which are in part nature meditation and in part biographical sketch is how Turgenev allows each character to speak for themselves. As a result we feel like we are hearing something we have never heard before -- the natural voice of the people. By allowing people to speak for themselves Turgenev gives us a truer and more genuine idea of how people -- serf and gentry -- really think and relate. Each sketch begins with a detailed description of the natural surroundings he is walking through and these descriptions give us insight into Turgenev's cast of mind which is infintely receptive, and discerning, even romantic and delicate at times as when he describes staring up through the forest canopy and imagining he is staring up at the world from beneath a vast body of water. These magnficent introductions set the mood for the character sketch to come. When he meets a serf it is as if he is merely continuing his communion with nature for the serfs live at one with the land. When he meets one of the gentry, however, and passes time in their company he feels removed from the natural settings and people he so values. It is a fascinating and very subtle technique but Turgenev makes the landowners seem like unnatural creatures who are disturbing the natural order. Though he is one of the gentry himself Turgenev hunts with the serfs , he values their company and conversation, and he values what they know. He knows them as individuals not just as serfs and so we too come to know them as individuals, each with their own personality and ideas about life and story to tell. Since we know these sketches are from real life we listen more carefully to them than we would if they were mere inventions; real life has a resonance that fiction does not. Given the choice of spending the day with a either serf or a landowner Turgenev would choose the serf. The serfs have not received an education and their opinions are often shaped by superstition, and yet it is these very superstitions that make them such colorful characters, the gentry may be educated but they are full of self-importance and affectations and see everything through the limited scope of their own self-interest which is merely another form of ignorance. Turgenev's most effective weapon is not bitter invective but irony. He never comes out and says serfdom is bad because the landowners are in some cases such vile creatures that there is no need to. By simply quoting them and describing their manners and actions Turgenev allows the landowners to do a fine job at condemning themselves.
The most profound sketch to my mind is "Yermolay and the Millers Wife" which relates the harsh treatment doled out to a beautiful serf woman merely because she wants to get married, and a close second is "Bezhin Lea" about a group of boys telling ghost stories around a fire as they tend a herd of horses grazing at night. The former sketch pefectly conveys what absolute power the landowners have over every aspect of the serfs life and the latter sketch perfectly conveys how the serfs pass down their own particular brand of wisdom from one generation to the next. Perhaps the most famous sketch however is "Khor and Kalinych" which juxtaposes two kinds of serfs--one resigned to his lot and the other who despite his status as serf finds his own kind of freedom by wandering the countryside. "Kasyan and the Beautiful Lands" is perhaps the most unusual story as it presents a sage-like man who speaks as though he were a living oracle. Deprived of education the serfs remain in thrall not only to the landowners but to ignorance as well; nonetheless there is a beauty and tragic grace in the voices of these serfs that remains in memory long after you have read these sketches. The sketches are complex and layered enough to invite you back to them again and again.
The biggest joy of the sketches is their casualness. Nothing is ever overly stated or stated in black and white but everything nonetheless appears clear as day. It seems at times as if Turgenev is the only enlightened soul in Russia and yet he is absolutely civil even when with a pernicious landowner because he innately knows what is right and he trusts that we know as well. Turgenev reminds me of Thoreau in his devotions which are equally divided between nature and the forwarding of liberal ideas. Though Pushkin and Lermontov both came before him Turgenev was the first Russian writer to achieve fame outside of Russia. Fathers and Sons is considered his masterpiece but these sketches stand as something unique in all of literature.

36 of 43 people found the following review helpful.
Cor!
By David Light
In giving this book only three stars, I'm not rating Turgenev but rather the translation. I'm not a translator myself, I'm sure it's very difficult rendering dialogue from another time and place, etc., etc. but I finally couldn't abide the translator's choice in this case to render the voices of nineteenth century Russian peasants in Cockney (or other English) slang.
Examples: "He was a right pain to his peasant girls." "They felt right idiots." "He's not a gent, is he?" "Help us, mate." "Judge for yourself, mate." "He's the soul of kindness, he is." "Gavrila comprehended-like how to get out of the wood." The use of "'cos" for "because." The use of "gotta"--"And I've gotta tell you this."
And what was for me the last straw, in the story Bezhin Lea, "Cor!" and "Cor, stone me!"
If you like this kind of thing, you'll love the book. For Russian lit in translation, give me Constance Garnett (and her Edwardian diction--which works so well, perhaps because it seems natural in contrast to the forced quality on display in "Sketches") or else the current team of Pevear and Volokhonsky.

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Rabu, 20 Maret 2013

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Gods and Mortals: Modern Poems on Classical MythsFrom Oxford University Press

For centuries, poets have looked into the mirror of classical myth to show us the many ways our emotional lives are still reflected in the ancient stories of heroism, hubris, transformation, and loss that myths so eloquently tell. Now, in Gods and Mortals: Modern Poems on Classical Myths, we have the first anthology to gather the great 20th century myth-inspired poems from around the world.
"Perhaps it is because the myths echo the structure of our unconscious that every new generation of poets finds them a source of inspiration and self-recognition," says Nina Kossman in her introduction to this marvelous collection. Indeed, from Valery, Yeats, Lawrence, Rilke, Akhmatova, and Auden writing in the first half of the century to such contemporary poets as Lucille Clifton, Derek Walcott, Rita Dove, Wislawa Szymborska, and Mark Strand, the material of Greek myth has elicited a poetry of remarkably high achievement. And by organizing the poems first into broad categories such as "Heroes," "Lovers," "Trespassers," and secondly around particular mythological figures such as Persephone, Orpheus, or Narcissus, readers are treated to a fascinating spectrum of poems on the same subject. For example, the section on Odysseus includes poems by Cavafy, W. S. Merwin, Gregory Corso, Gabriel Zaid, Louise Gluck, Wallace Stevens, and many others. Thus we are allowed to see the familiar Greek hero refracted through the eyes, and sharply varying stylistic approaches, of a wide range of poets from around the world.
Here, then, is a collection of extraordinary poems that testifies to--and amply rewards--our ongoing fascination with classical myth.

  • Sales Rank: #412533 in Books
  • Published on: 2001-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x 1.30" w x 9.10" l, 1.41 pounds
  • Binding: Hardcover
  • 320 pages

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9 of 9 people found the following review helpful.
just a wonderful anthology
By A Customer
This is a very comprehensive collection, worthwhile for students and teachers of classics, comparative literature, and modern poetry and for anyone interested in mythology and literature. One of the attractions of this book is the mixture of poems by modern English-language poets and poems translated from foreign languages. The editor has obviously searched far and wide for poems on Greek myth--poems from Romanian, Lithuanian, Chinese, Bengali, Hebrew, Danish, Hungarian, Polish, and Estonian are included in addition to the expected languages. The poems are well chosen and the translations are masterfully done. Another thing that makes this collection so comprehensive is the sheer
number of mythological characters covered. A great collection in every respect!

0 of 0 people found the following review helpful.
Four Stars
By Em73
Great edition of classic and modern mythological poetry.

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Selasa, 19 Maret 2013

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  • Sales Rank: #827379 in Books
  • Published on: 2013-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.00" w x 7.40" l, 1.75 pounds
  • Binding: Paperback
  • 428 pages

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Great quality. As new.
By Eva
Great quality. As new.

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  • Published on: 2003-11-20
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When Danny Gregory's life was turned upside down by tragedy, he learned to cope by teaching himself to draw. The result was a complete transformation of his life, his priorities, his career, and the way he saw the world. In handwritten chapters full of his lush watercolor illustrations, Danny now offers readers a program for reconnecting to their own creative energies, using drawing as an example. He gently instructs us in the art of allowing ourselves to fail, giving up the expectation of perfection and opening our eyes to the beauty around us. The result is the permission to express ourselves fully and take part in the creative process without fear. Artist or not, readers of all stripes will find inspiration in this unique and beautiful book.

  • Sales Rank: #52155 in Books
  • Brand: Unknown
  • Model: 1764714
  • Published on: 2005-12-21
  • Released on: 2005-12-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .0" w x 7.50" l, 1.25 pounds
  • Binding: Paperback
  • 208 pages
Features
  • The Creative License: Giving Yourself Permission to Be the Artist You Truly Are

About the Author
Danny Gregory is the author of Everyday Matters: A New York Diary, Hello World: A Life in Ham Radio and Change Your Underwear Twice a Week: Lessons From the Golden Age of Classroom Filmstrips, which was named one of Amazon's top 10 humor books of 2004. His weblog, Everyday Matters, is visited regularly by tens of thousands of creative aspirants form around the world. He is an award-winning copywriter and creative director who has created global advertising campaigns for clients like American Express, IBM, Ford Motor Company, Burger King, Chase, and AT&T. He was born in London, grew up in Pakistan, Australia and Israel, is a graduate of Princeton University and lives in Greenwich Village with his wife and son.

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58 of 62 people found the following review helpful.
FANTASTIC!
By Linda Woods
This book is fantastic! The Creative License is funny, it's inspiring, it's open and honest and egoless, it's encouraging, and it's entertaining. Danny's passion for art and life jump off the pages and tickle you with delight. His philosophies can be applied to any creative endeavor that excites YOU and he genuinely encourages his readers to find their creative passion whether it is drawing, knitting, or blogging (or whatever you dream up).

Thank you, Danny, for writing and illustrating such a wonderful, heartfelt book for the artist in all of us.

1 of 1 people found the following review helpful.
Great book
By Judy Seaman
Danny Gregory started to journal his life in pictures following his wife's tragic accident which left her wheelchair-bound. He encourages the reader to really see the things around us, those mundane objects we encounter every day that may not be beautiful, yet they enhance our existence. He helps us to see beauty in the simple things, and enjoy those moments we have with loved ones, and even with strangers, which serve to make up the moments of our lives. His sketches are detailed and inspiring, and they show me that I don't have to be another DaVinci in order to create and enjoy art about life.

42 of 42 people found the following review helpful.
Believe in Your Art Ability
By Mary M. Wilkins
This is a fantastic book on believing in your ability to be an artist. It also teaches you to do art on a daily basis to stretch and grow in the varied mediums.

I have kept journals for years, but never art journals. I was amazed at all of the fantastic work that can come from drawing on a daily basis. I even started drawing with pen rather than pencil to allow the mistakes to be there and not be afraid of them.

I would recommend this to anyone who doesn't believe they have any talent in art and for those who do and have been told over and over again that they just aren't quite right for 'today's art market'. Get out there and draw!

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Jumat, 01 Maret 2013

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English Accents and Dialects : An Introduction to Social and Regional Varieties of English in the British Isles (cassette sold separately)

  • Published on: 1707
  • Binding: Paperback

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English Accents and Dialects : An Introduction to Social and Regional Varieties of English in the British Isles (cassette sold separately) PDF
English Accents and Dialects : An Introduction to Social and Regional Varieties of English in the British Isles (cassette sold separately) EPub
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