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• Sales Rank: #4649963 in Books
• Published on: 1983-10-28
• Binding: Hardcover

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Highly Commended, Dermatology, BMA Awards 2009

This title in the Requisites in Dermatology series is the perfect resource for quick reference and rapid review in dermatopathology. It succinctly presents all of the most essential clinical and foundational knowledge you need for certification, recertification, or practice. An extremely user-friendly full-color format, replete with full-color clinical photographs and other pertinent illustrations, makes it easy to locate and read up on any topic. Plus, full-text online access lets you consult the book from any computer, download all of the images, watch online lectures, and more.

• Expert discussions and abundant full-color photomicrographs guide you through the diagnosis of the most important and common dermatologic pathology findings seen in practice.
• A highly user-friendly full-color format and a consistent chapter template guide you effortlessly through all the information you need to know about each topic.
• Key Points call attention to the most important “takeaways” in each chapter.
• Abundant algorithms streamline diagnostic decision making.
• The book’s compact size makes it equally convenient for reference in the office, clinic, laboratory, or break room.
• Full-text online access lets you consult the book from any computer, perform quick searches, download all of the illustrations, and clip content for download onto your handheld device. You’ll also find online lectures from the chapter authors, self tests, additional downloadable figures, and other exciting materials.

Your purchase entitles you to access the web site until the next edition is published, or until the current edition is no longer offered for sale by Elsevier, whichever occurs first. If the next edition is published less than one year after your purchase, you will be entitled to online access for one year from your date of purchase. Elsevier reserves the right to offer a suitable replacement product (such as a downloadable or CD-ROM-based electronic version) should online access to the web site be discontinued.

• Sales Rank: #1224193 in Books
• Brand: Brand: Saunders Ltd.
• Published on: 2008-11-17
• Original language: English
• Number of items: 1
• Dimensions: 1.20" h x 7.00" w x 10.10" l, 2.80 pounds
• Binding: Hardcover
• 372 pages

Features

• Used Book in Good Condition

Review

"The latest addition to the Requisites In Dermatology Series is a concise, user-friendly guide, accompanied by full-text on-line access. This comprehensive quick-reference tool will be welcomed by dermatology and pathology registrars, both as an introductory text and for examination review. It is also a useful, convenient desk-top resource for practicing dermatologists and general pathologists. This book is a laser-sharp resource for students and for seasoned practitioners wanting a pictorial refresher course. If, heaven forbid, I were sitting for a dermatopathology exam in the near future, I’d be taking this book everywhere." Melbourne Pathology, July 2009

"Requisites in Dermatology - Dermatopathology is a comprehensive, free-standing work that rivals the content and complexity of any other standard textbook of dermatopathology. Its compact dimensions and on-line interface are sure to make it a first choice for many clinicians both within the office and on-the-go. I highly recommend it to the reading audience." Dermatopathology: Practical and Conceptual (derm101.com), 2009

"This is an easy to use and essentially good guide to anyone wishing to obtain basic information on the histological appearances of most of the common dermatological conditions. It is directed at the trainee dermatopathologist but does have appeal to anyone in the medical field with an interest in dermatopathology. It is excellent value for money and should be regarded as a valuable assist to most histopathological libraries." BMA Book Awards 2009 - judges comments

"The authors are to be applauded for this succinct yet comprehensive, highly usable text…It will be well-received by a broad audience at all training levels and will be of particular interest to dermatology and pathology residents seeking to establish a solid foundation in dermatopathology." Dermatopathology: Practical and Conceptual (derm101.com), 2009

"This is one of the best concise texts for medical students and residents. For a long time, only long, all-inclusive books were available, which could be discouraging for neophytes. This book would be perfect for visual learners... The excellent photomicrographs are the best features of the book." - Doody's 5 Stars! *****

"Dirk Elston et al successfully capture the essence of hundreds of entities and topics within dermatopathology in a well-designed, "cut-to-the-chase" style... delightful and refreshingly versatile text... a comprehensive, free-standing work that rivals the content and complexity of any other standard textbook of dermatopathology. Its compact dimensions and on-line interface are sure to make it a first choice for many clinicians both within the office and on-the-go. I highly recommend it to the reading audience." - Reviewed by: Steve Alder, M.D., Director of Dermatopathology, Clin-Path Associates, PLC, Tempe, Arizona

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2 of 2 people found the following review helpful.
A little gem
By Ben
This slim volume is one of the most entertaining and informative basic dermatopathology texts available. It is lavishly (and generally well) illustrated and covers the essential points of most dermatopathological entities in the form of bullet points and a short (typically a small paragraph) discussion. There are numerous little mnemonics, tips and "pearls" scattered through the text. For anyone who has enjoyed Dirk Elston's lectures, much of the same engaging spirit which enables important messages to be retained is recapitulated in this book. The purchaser is also given access to a series of online lectures, from my limited viewing apparently directed at resident level. My only "criticism" of this book is that Dr Elston's enthusiasm for "creepy crawlies" has resulted in somewhat larger sections on topics such as identification of parasites than one might expect for a book of this size.

While this book will not be the only dermatopathology text a trainee in pathology or dermatology will need, it certainly is a valuable book for preview or overview of subjects. I have already used some of the mnemonics in teaching sessions and even in recalling some differential diagnostic possibilities in signout. For the relatively small cost (both in dollars and time, since with the abundant illustrations a cover to cover reading can be accomplished over a few evenings) I think this is one of the better value educational experiences available.

0 of 0 people found the following review helpful.
As succinct and high yield as it gets in dermpath
By Dermpathie
This book has an excellent layout with numerous histologic images and easy to read, fact filled tables for differential diagnoses. It is also written in a very easy to understand fashion with fun mnemonics so that the pathologists or dermatologists in training can quickly master the sometimes befuddling field of dermatopathology. The authors are all well known and respected in their field and did an amazing job by being very succinct yet still very thorough in their presentation. If you have one book with you during dermpath sign-out, I would recommend this text.

0 of 0 people found the following review helpful.
Dermatopathology :requisites in Dermatology ,1e
By Lubna
It is a simple ,easy to understand book.It has got every thing one needs to interpret skin biopsies!suffice it to say "Great things come in small packages" !!!!

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[Q102.Ebook] PDF Download Fertility, Cycles & Nutrition 4th Edition, by Marilyn M. Shannon

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This new fourth edition explains cycle irregularities and nutritional values to improved and understand our body balance; invaluable to Natural Family Planning couples.

• Sales Rank: #45928 in Books
• Brand: Shannon, Marilyn M.
• Published on: 2009-04-15
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .90" w x 6.00" l, 1.15 pounds
• Binding: Perfect Paperback
• 336 pages

Review
Marilyn Shannon, author of Fertility, Cycles & Nutrition, knew her popular book was due for an update. But even she was surprised by the explosion of research in this area since her last edition in 2001.

"I was amazed when I did the literature search," Shannon says. "I knew there had been an increase in research on nutrition for fertility, but my search results far exceeded my expectations." Shannon began her research by whittling down over 900 journal article citations specifically related to her topics, to 500 abstracts, and then to 300 full articles, many of which are cited in the reference pages of the new book.

The result is a completely revised and expanded 4th edition of Fertility, Cycles & Nutrition: Self-care for improved cycles and fertility...naturally!. Based on her experience both as an instructor of human anatomy and physiology at Indiana University Purdue University at Fort Wayne, Indiana, and over 25 years as a Natural Family Planning (NFP) teacher, Shannon is convinced that in most cases, self-care for better fertility is the best place to start.

A mainstay originally for couples practicing NFP, Fertility, Cycles & Nutrition has helped thousands of women over the years to improve their fertility cycles, often either making the practice of NFP easier, relieving cycle irregularities, or helping them to achieve a much-desired pregnancy.

While the new 4th edition does not really conflict with the old, it goes far beyond previous editions.

"There are many new options for basic topics like PMS (premenstrual syndrome), short luteal phase, or heavy bleeding," Shannon explains. "This edition also provides more explanations of the 'why and how' behind various topics, such as why exercise builds bone, how insulin levels relate to PCOS (polycystic ovary syndrome), how light affects the fertility cycle, or how flax oil differs from fish oil."

The new Fertility, Cycles & Nutrition still recommends first improving the diet, with an emphasis on plenty of whole, unrefined foods. Yet it also acknowledges that flexibility is important, as what is best for one person might not be what is best for another. For instance, Shannon recommends both animal and plant protein sources, but is flexible as to how much and what kinds. Her recommendations for fats and oils have strengthened the emphasis on animal fats, and she now recommends fish oil as well as flax oil.

Part II moves into targeted advice for supplements aimed at improving specific cycle irregularities such as PMS, painful or heavy periods, PCOS, infertility, repeated miscarriage, etc. While new research still supports Shannon's longstanding recommendation of the vitamin Optivite PMT for many cycle irregularities, she also now endorses ProCycle PMT and Fertility Blend for overcoming certain problems or trying to achieve pregnancy. The new edition also has expanded information on nutrition during pregnancy, age-related infertility, preventing birth defects, celiac disease, low sexual desire, and male fertility-- including the importance of antioxidants for men -- and much more.

Fertility, Cycles & Nutrition is unique in that it covers the gamut of nutrition to improve the cycle for women who are not seeking pregnancy, for women who are using Natural Family Planning, as well as for women -- and couples -- who are trying to overcome infertility. --The Couple to Couple League

From the Inside Flap
The explosion of scientific research on the connection between nutrition and fertility confirms what Marilyn Shannon has been saying in Fertility, Cycles & Nutrition since 1990. That is, in many cases cycle irregularities can be either eliminated or alleviated simply through better nutrition or body balance. Originally written to help make the practice of Natural Family Planning easier for couples experiencing irregular cycles, this book has proven to be invaluable for anyone looking for improved fertility.

In this completely updated and expanded edition, Shannon first provides practical guidelines for selecting nutritious food, the highest priority for maintaining good health. Next, she systematically explains a host of reproductive problems and identifies the specific nutrition and targeted supplementation that research shows can be used as self-care to overcome such problems or improve fertility.

About the Author
Marilyn McCusker Shannon holds a master s degree in human physiology with a minor in biochemistry from Indiana University s Medical Sciences Program. She is a tenured, part time instructor of biology at Indiana University Purdue University at Fort Wayne, Indiana, where she has taught human anatomy and physiology for the last 25 years.

Marilyn and her husband Ron have been a Teaching Couple for the Couple to Couple League for Natural Family Planning (NFP) since 1982. Her interest in the impact of nutrition on reproductive health is an outgrowth of her educational background and her experience as an NFP instructor. She has written many articles on nutrition and fertility for the Couple to Couple League's magazine, Family Foundations, and has spoken widely on this topic. She was awarded the Couple to Couple League's Edward M. Keefe, M.D. Award for the Scientific Advancement of Natural Family Planning following the first edition of Fertility, Cycles & Nutrition.

Most helpful customer reviews

28 of 38 people found the following review helpful.
HIghly Recommended
By mamamia
I think this is one of the best books on women's health and fertility-related issues out there. Every midwife should read this. But why only four stars? The author promotes the consumption of canola oil, which is not a "healthy" oil. Also the recommended level for vitamin D (400-1000 IU)fall way below what it should be for most people. I was also a bit leery about the author's recommendations for flax seed oil. Although this oil undoubtedly has many benefits, there are also many downfalls as well. For instance, those following a WAP diet may be interested to know that flax seed contains a large amount of phytic acid, which inhibits the absorption of minerals. Although written from a more vitamin and basic nutrition standpoint, I hope any future additions would contain more research on how herbs can help many women's problems (for instance, many issues can be helped simply by working on liver health with herbs such as stinging nettle) and also more research on/references to the soaking of whole grains to reduce phytic acid.

3 of 3 people found the following review helpful.
Bad advice on supplements
By Gal Anonim
First of all, the book is poorly organized which makes it hard to extract information that applies to specific health issues. Nutrition advice for various health conditions is sprinkled throughout the book in various chapters. She is dedicating very little of this book to the issue of endometriosis (she doesn't seem to have an in-depth knowledge of that subject), so if that's the condition you have, buy a different nutrition book that focuses primarily on that issue.

Finally, as other reviewers mentioned, she is strongly advocating using OptiVite (not a very high quality nutritional supplement). In her defense, she seems to genuinely believe that it can help. She cites scientific evidence behind it (sort of), and how various vitamins and minerals in that supplement affect the fertility cycle. She sounds very convincing, and she mentions examples of women whom this supplement helped to get pregnant. She is defending the fact that this supplement contains HUGE doses of certain vitamins and minerals (often significantly exceeding the recommended daily dose, and often at the maximum level that is considered "safe") by listing the standards of the upper daily limits as if it were perfectly healthy to try to overload your body with a ton of vitamins and minerals all at once at their maximum allowable limit, that are not even food based for better absorption. The problem is, individual people have different needs/deficiencies. For instance, if your selenium level is fine, then taking it at 143% of daily dose for an extended period of time, can cause selenium poisoning especially if you are also getting it from your regular diet. She says that you can decrease the dose (or start with a smaller dose and build your way up) if you experience unpleasant side effects. The problem is, it might take you time to figure out why your hair started to fall out, why you suddenly feel exhausted, and why your experience tingling in your hands.Why should you experiment that way on yourself? And once you do figure out that the recommended daily dose of this supplement is too high for you, how will you know what is the "safe" dose for you?

Basically, I was looking for a book about nutrition, not about food supplementation. I didn't find this book to be easy to navigate or accessible.

3 of 3 people found the following review helpful.
Was hoping for more.
By Brooke K.
I guess I had higher expectations. I was hoping to get a little more guidance on which supplements balance you depending on which end of the spectrum your hormones lay. Instead it tells you how to have a balanced diet and pushing a priopriety blend supplement.

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What Makes Sammy Run?

Everyone of us knows someone who runs. He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?

This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.

An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.

When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

• Sales Rank: #63807 in Books
• Published on: 1993-12-06
• Released on: 1993-12-06
• Original language: English
• Number of items: 1
• Dimensions: 7.97" h x .68" w x 5.09" l,
• Binding: Paperback
• 352 pages

From the Inside Flap
What Makes Sammy Run?
Everyone of us knows someone who runs. He is one of the symp-toms of our times--from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?
This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York's East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic--his congenital incapacity for friendship.
An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.
When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick's real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. Tothis group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

"From the Hardcover edition.

About the Author
BUDD SCHULBERG was an American screenwriter, television producer, sports writer, and author of the best-selling novels What Makes Sammy Run and The Harder They Fall as well as the Academy Award winning screenplay for On the Waterfront.

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0 of 0 people found the following review helpful.
You'll laugh, and you might even cry
By Mickey D. Hadick
This is a great story, and I can't believe I hadn't heard of it before now (I'm old). It was fun. The opening chapters had me laughing out loud. In the middle I was emotional, hoping it would work out for Al, and at the end I was very, very satisfied. You should read this story.

0 of 0 people found the following review helpful.
Interesting history of media and Hollywood, in fictional form
By Dougpound
Almost and anti-Gatsby. Dated references (given age) but still very well-written.

22 of 26 people found the following review helpful.
Classic Hollywood Novel
By Donna Grayson
I highly recommend "What Makes Sammy Run" for anyone who is an aspiring actor or filmmaker. This novel is an interesting look at the early entertainment business. Reading about Sammy Glick as he pursues success in show business is a real eye-opener. And things have not changed all that much these days. The movers and the shakers in the biz still behave in a similar manner. This is an interesting book to learn about what really makes the Entertainment Industry tick. Even though this novel takes place in the 1930s, it is still a great learning tool for today. And it is also a great look into history. This book is a great Hollywood classic.

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• Sales Rank: #935297 in Books
• Model: 00-35174
• Published on: 2013-02-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 9.00" w x .25" l, .73 pounds
• Binding: Paperback
• 96 pages

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0 of 2 people found the following review helpful.
CHORD THEORY
By HAROLD A.WILLIAMS
GOOD BASIC INFORMATION FOR LAYMEN AND PRO MUSICIANS !

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Pulitzer Prize-winner for Drama, 1993. The first part of Tony Kushner's epic drama of America in the 1980s. "A vast, miraculous play.... provocative, witty and deeply upsetting.... a searching and radical rethinking of American political drama."--Frank Rich, The New York Times ¶"Daring and dazzling! The most ambitious American play of our time."--Jack Kroll, Newsweek

• Sales Rank: #254344 in Books
• Brand: Brand: Theatre Communications Group
• Published on: 1993-04
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 5.75" w x .75" l,
• Binding: Hardcover
• 119 pages

Features

• Used Book in Good Condition

About the Author
Tony Kushner's plays include A Bright Room Called Day and Slavs!; as well as adaptations of Corneille's The Illusion, Ansky's The Dybbuk, Brecht's The Good Person of Szecguan and Goethe's Stella. Current projects include: Henry Box Brown or The Mirror of Slavery; and two musical plays: St. Cecilia or The Power of Music and Caroline or Change. His collaboration with Maurice Sendak on an American version of the children's opera, Brundibar, appeared in book form Fall 2003. Kushner grew up in Lake Charles, Louisiana, and he lives in New York.

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0 of 0 people found the following review helpful.
You Have To Be Damned To Be Saved
By Kevin L. Nenstiel
This play has the secondary title "A Gay Fantasia on National Themes," but the "Gay" portion seems unnecessary. Reflecting the self-seeking, ambitious attitude that dominated the middle 1980s, Kushner uses jagged language, a clash of characters, and tension born from manipulating audience stereotypes to make us wonder if perhaps we've lost sight of our original national purpose.

Not for nothing does this play begin at an immigrant's funeral. This nation is a fusion of peoples drawn from elsewhere, a mix that cannot be made again. We know the officiating rabbi means it in the most literal sense when he says, "You do not live in America. No such place exists." This America is a created land, but created of all the anger, frustration, and venality of the assembled characters.

The lies these characters tell themselves are phenomenal. After the funeral, Louis, a relative of the deceased confesses that he didn't introduce his male lover to the family because "I get so closety at these family things." This is probably the most direct any of the characters are at any point in the play. Perhaps it's introduced very early to let us know that levels of dishonesty will be calibrated in every scene. And no dishonesty is more powerful than when the characters come to believe their own lies.

When Roy Cohn is diagnosed with AIDS at the end of the first act, before he does anything else, he revises his own prognosis to correspond to his own self-figuration. Not only does he tell himself that he has cancer, he bullies his doctor to ratify the diagnosis so that he can go out and tell everyone else the same thing. Even when his protégé, Joe Pitt, admits his own homosexuality, Cohn continues to hide from the world, and excoriate himself for hiding. Cohn's self-loathing is epic in scope, entirely consistent with the hatred Kushner implies he pushed out into the world with his militancy.

Though she is not as open with other characters as Louis, Harper Pitt has the most elaborate system of self-deception of the play. She invents friends to talk to, justifying her refusal to interact with the world. She manufactures an illusory pregnancy to get pity--but who from? Herself? It's hard to imagine who else she might elicit sympathy from, because she alienates her only ally, her husband Joe, as her world turns more inward upon itself. Her imaginary friend, Mr. Lies, gives away his identity with his very name. But even Mr. Lies won't participate unreservedly in the process. "You can be numb and safe here, that's what you came for," he tells her.

Perhaps because of the lies, all the characters seem to seek their own destruction. Faced with his lover's increasing illness, Louis flees to reckless sex with an anonymous partner--and, it is implied, more partners than we see. Likewise, Joe first admits his homosexuality by calling his mother, a judgmental Mormon unlikely to take kindly to such a revelation. On top of that, he calls her from a pay phone in the most dangerous part of New York's Central Park at the most dangerous time of night. He's asking to get killed, and perhaps he's asking for it because he wants to be punished.

Though it's not the end of the play, the summation of the themes takes place in the Act 3n Scene 2. Louis' garbled, self-justifying monologue tries to make sense of the way in which a gay man can face himself in the disapproving world that is Reagan's America. But what actually comes out of his mouth is an incomprehensible hash of American national mythology, half-remembered Nietzschean philosophy, a badly scrambled reading of race and cultural relations across borders, and more. As a court word processor, Louis has made his life out of comprehending the rhetoric and literature of justice. But he cannot remember how it actually goes.

This play, being actually half a play, culminates with the potential for redemption, in the final scene. Prior Walter, ravaged by AIDS-Related Complex, is the one character who cannot lie to himself. We watch, over the course of three acts, as each untruth and every easy self-deception is progressively expunged. At the end, devastated and alone, he is the only character fit to bear audience to the titular Angel.

But honest Prior Walter, and the lying characters all around him, do not yet have that redemption. They cannot have it, they cannot be saved, until they have reached the very bottom of their arcs. And that is what we see in this play. We see them being burned away, bit by bit. We see them being made ready for the possible salvation that comes in Part Two.

1 of 1 people found the following review helpful.
Wonderful, capturing story
By Josephine Siu
This story is so touching, and so timeless. It really stretches across time, and touches the heart of so many who lost loved ones to AIDS. In addition, it is such an eye opening story for those who have not. Beautifully written, and masterfully told.

0 of 1 people found the following review helpful.
Fine, save one scene.
By Robert Beveridge
Tony Kushner, Angels in America: Millennium Approaches (Theatre Communications Group, 1993)

I thought Millennium Approaches was going along like a house on fire for the first two-thirds of its length. It's character-driven, it's funny despite its heartbreaking subject matter, it handles an historical figure in such a way as to make him larger than life. (I will admit up front that, despite my mother having suggested I do so for something like twenty years now, I have not read Citizen Cohn, her favorite Roy Cohn biography, and so I can't actually say how much of Kushner's portrayal of Cohn is accurate; it is, however, all kinds of fun.) And Kushner was getting his message across in just the right way--letting the story impart the message. Then comes Scene 2 of Act 3, where Louis and Belize are sitting in a bar talking. And Louis' logorrhea is message, message, message, message, message, and the whole thing just goes to hell in a handbasket. The funny thing is, Belize recognizes that it's all message, message, message, message, message and calls Louis on it repeatedly. Even Kushner's characters can't stand message drama! (That doesn't stop Louis from prattling on.) I've been seeing this more and more recently; authors trying to insert message drama (or fiction or poetry or...) by making the characters who have to put up with it slap the speaker into senselessness. (Unless it's internal, then they get nasty looks; think about the interminable message paragraphs that Kenzie suddenly comes up with in A Drink Before the War, for example.) Here's a tip, guys: it doesn't matter how you try to cache message-based writing into your work. It's still crap. It has always been crap (well, okay, 95% of the time), and it will always be crap. And here's the kicker, in Tony Kushner's case: if you're already treading on ground that activists have worked over hundreds of thousands of times, there's basically a guarantee that some political activist with a placard has already said everything you're trying to say. And probably said it better. In this case, it's been done hundreds, if not thousands of times. It's not only message crap, it's retreaded message crap.

Now that I've spent three hundred words on Louis and Belize's painful, conversation in Act Three, I'll say that the rest of the play is just plain awesome. The characters jump off the page, the pace is fast (despite there being almost no action), the dialogue is, in the main, witty and interesting. Take out that one scene, and this is great stuff. Unfortunately, no one thought to take out that one scene. ***

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"Artfully told and laugh-out-loud funny," says the Los Angeles Times Book Review of this long out-of-print novel--now being rediscovered. Lewis's hilarious tale of one Stone Age family offers highly-revised accounts of the invention of fire, the origins of courtship, and much more. Charles Darwin may turn over in his grave.

• Sales Rank: #587280 in Books
• Color: Tan
• Published on: 1994-08-30
• Released on: 1994-08-30
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 5.20" l, .65 pounds
• Binding: Paperback
• 213 pages

From Publishers Weekly
This humorous account of an upwardly mobile Pleistocene family's life was first published in 1960.
Copyright 1994 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Well, if you say so.......
By Mizpat
Sir Terry Pratchett said this was the funniest book he'd ever read, so I wanted to read it because I love Pratchett's writing. I guess his sense of humor is more developed than mine, though, because although I enjoyed reading the book, I didn't find it particularly hilarious. I"m not quite finished, so maybe it gets funnier at the end.......but it hasn't yet. It IS an interesting satire on human life in the Stone Age, and worth reading for that reason.

1 of 2 people found the following review helpful.
The Funniest Book in Pre-History
By Steve R
This may well be the funniest book I have ever read. And I've read the gamut of funny books, from those by Douglas Adams to Art Buchwald to Bill Bryson.

Roy Lewis (re)creates a prehistoric tribe that has all the dry practicality of a mid-20th century American or English suburban family. In fact, that's essentially what they are; they just happen to live in a cave in the Pleistocene. The humor of Lewis' characters lies in the prescience he imbues in them: they are keenly aware they are evolving, and they'll do everything they can to do it right. Thus the laughs are in the modern parallels: the book was first published in 1960, just after a decade of the post-war, space-age optimism--tempered with a healthy dose of fear of the Red Menace--that flooded the United States and Europe. In short, Lewis' prehistoric family maintains the same "can-do, future's so bright" outlook that was found in much of the post-war 1950s West. Consider the opening lines:

"When the winds blew strongly from the North, bringing an icy reminder that the great ice-cap was still advancing, we used to pile all our stores of brushwood and broken trees in front of the cave, make a really roaring fire, and tell ourselves that however far south it came this time, even in Africa, we could meet it and beat it."

The stone-age family is kept on track by the father, who is ever concerned with his brood's evolutionary progress and is always vigilant for any sign of regression. Upon seeing a child still crawling at age two, he yells: "We started walking upright back in the Miocene, and if you think I am going to tolerate the destruction of millions of years of progress...you are mistaken. Keep that child on his hind legs..."

Of course, as the subtitle of the book indicates, even the most foresighted caveman will fail to make fire eventually. And then the next generation takes over. You can't stop progress. But you MUST read this book.

0 of 0 people found the following review helpful.
A classic
By Steve M.
A classic. Cavemen harnessing fire and evolving...told as if they know the future of evolution.

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[V865.Ebook] Get Free Ebook Classic Rock Fake Book: Over 250 Great Songs of the Rock Era, Arranged for Piano, Vocal, Guitar, Electronic Keyboard an all 'C' Instruments

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This Classic Rock Fake Book is an invaluable collection of over 250 of the best rock songs of all time, with nearly 70 songs added for this spectacular 2nd Edition! For piano, voice, guitar and all C instruments, this fake book includes melody, lyrics, and chords for: All Right Now; Amanda; Angie; Another One Bites the Dust; Baby, I Love Your Way; Back in the U.S.S.R.; Barracuda; Beast of Burden; Can't You See; Centerfold; Cocaine; Come Sail Away; Don't Do Me Like That; Don't Stop; Dream On; Dust in the Wind; Free Ride; Hurts So Good; Imagine; I Want You to Want Me; Imagine; It's Still Rock and Roll to Me; Lay Down Sally; Layla; Lucy in the Sky with Diamonds; Maggie May; My Generation; Nights in White Satin; Owner of a Lonely Heart; Point of Know Return; Refugee; Rhiannon; Rock and Roll All Nite; Roxanne; Something; Sunshine of Your Love; Susie-Q; Take the Long Way Home; Walk This Way; We Will Rock You; White Room; Wonderful Tonight; You Ain't Seen Nothin' Yet; and lots more! The fake book features 2 tables of contents: one by artist, and one alphabetical by song title. 280 pages.

• Sales Rank: #86187 in Books
• Brand: Generic
• Model: 240108
• Published on: 1999-02-01
• Released on: 1999-02-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .72" w x 9.00" l,
• Binding: Plastic Comb
• 280 pages

Features

• Includes melody, lyrics, and chords for:American WomanBad MedicineCarry On Wayward SonDon't Stand So Close To MeEvery Breath You TakeFooling Yourself (The Angry Young Man)Green-Eyed LadyHurts So GoodI Shot The SheriffIron ManJack And DianeKiller QueenLivin' On A PrayerMy LifeNew Kid In TownOnly The Good Die YoungPiano ManRenegadeSummer Of '69Tears In HeavenVictim Of LoveWalk This Way...and much more...

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

41 of 43 people found the following review helpful.
has some flaws
By P. A. O. Rourke
The repertoire in this book is pretty good for classic rock fans. Of course, due to licensing restrictions it doesn't have EVERY great classic rock tune. There are some fatal flaws, however. The chords and lyrics are extremely small. Forget about using this book while playing live or jamming. The book would have been much better if it had been written in "real book" format instead of cramming all of the music and lyrics on one page. Also, songs that are tuned to E flat are sometimes notated as the actual chord shapes (without notating the tuning) and sometimes notated as the flatted chords. In other words, an open E chord would be notated as E flat. This is an awful thing to do to guitarists, especially on guitar based songs. I had to do a lot of crossing out and rewriting in chords. I also found a few of the chords to be incorrect when I went and learned them from CD. It's good as a reference for learning songs quickly, but you can't use it while playing.

30 of 31 people found the following review helpful.
Not really "Classic", but Pretty Good
By -TMcN-
Fake Books have just the melody/lyric line (staff); piano players will only have their right hand busy; the left "fakes" it. And there's no tabs and songs are in their actual keys, so you need to read music. But if you do and either are good at theory or play a non-chording instrument, they're fantastic.

This book has a very impressive selection of songs, but "Classic Rock" doesn't describe it. More like "SuperHits of the 70s and 80s". There's some rock, some pop, some glam, a pretty wide variety of stuff people will likely request or that you might enjoy playing, but it's not all "rock" and certainly not "classic rock" - it's got songs from Heart, Bon Jovi and Jefferson Starship, fer cryin' out loud! Very playable stuff.

I enjoy this book a lot. I also enjoy the Disney Fake Book and the Ultimate Fake Book; there's not much overlap between them. The breadth of styles (again, it's not all classic rock) is a nice touch, and most of the songs were really big hits at one time. There are some omissions and excesses. No Dire Straits, but 22 Beatles songs. Six Elton John, but no Candle/Funeral for a Friend? No Led Zeppelin but FOUR Lennon/Ono (and one Lennon solo) songs? But on average it's a great collection.

9 of 9 people found the following review helpful.
This is how a fake book should be organized
By Chef Laura Gardener in Seattle
I'm a professional musician. I play a wide range of types of music, including alot of standards from the 40s and 50s. However, I was wanting to get more 'hits' from the 70s. After searching extensively online and in stores, I settled on this book and, so far, am happy that I did. I like that no song is more than two pages long. Most are only a page length. As a musician, this means I don't have to turn pages, especially when sight-reading a tune. The tablulature is clear and fairly easily readable though I'd prefer that most tunes would spread across two pages so that the print could be larger (especially as I grow older and now need reading glasses). I'm 50 years old and most of these tunes are very familiar to me. The arrangements are quite good (often including little riffs or fills that help define the tune). My copy has a plastic comb which makes it open and stay open easily. I recommend this book.

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• Sales Rank: #14500532 in Books
• Published on: 1992
• Binding: Paperback
• 286 pages

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