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Since its publication in 1989, The Riddle of Amish Culture has become recognized as a classic work on one of America's most distinctive religious communities. But many changes have occurred within Amish society over the past decade, from westward migrations and a greater familiarity with technology to the dramatic shift away from farming into small business which is transforming Amish culture. For this revised edition, Donald B. Kraybill has taken these recent changes into account, incorporating new demographic research and new interviews he has conducted among the Amish. In addition, he includes a new chapter describing Amish recreation and social gatherings, and he applies the concept of "social capital" to his sensitive and penetrating interpretation of how the Amish have preserved their social networks and the solidarity of their community.

  • Sales Rank: #1805266 in Books
  • Brand: Brand: The Johns Hopkins University Press
  • Published on: 2001-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.27" w x 6.00" l, 1.57 pounds
  • Binding: Hardcover
  • 424 pages
Features
  • Used Book in Good Condition

Review

This book is a perfect tool for introducing undergraduates to sociological analysis. Kraybill skillfully depicts an intriguing world that promotes collectivism against the dominant individualism. We come to understand how Amish life makes sense to those who adhere to it.

(Michèle Lamont Christian Century)

Beyond the tour buses and stereotypes lies the complex reality of Amish life. In this welcome update of a classic study, Donald B. Kraybill explores with deep insight and solid research the fascinating ways this fast-growing traditional community negotiates its evolving relationship with a modern world of business, tourism, shopping malls, and roller blades. No dry academic book, this beautifully written work exudes the juices of lived experience and conveys its author's profound respect for, and understanding of, Amish life.

(Paul Boyer, Editor-in-Chief, The Oxford Companion to United States History)

Carefully crafted, richly nuanced and accessible to both the informed reader and the novice, Donald Kraybill has once again produced a remarkably clear and meticulous study of one of North America's most intriguing religious minorities. The Riddle of Amish Culture opens a window into the complex reality of Amish society that crisscrosses the postmodern, modern, and traditional worlds.

(Thomas J. Meyers, Ph.D., Professor of Sociology, Goshen College, Goshen Indiana)

Donald Kraybill has written a brilliant exposition of Amish life. A sociological tour de force and must-read for those who wish to understand Amish culture.

(Peter Ester, Professor of Sociology, Tilburg University, The Netherlands)

I cannot think of a better way to introduce students to the richness of Amish life. The Riddle of Amish Culture takes the reader into the intricacies of Amish life and culture. Kraybill frames his rich narrative description with sophisticated analysis. While thoroughly accessible, Kraybill's book never insults the reader's intelligence. His treatment of Amish life resists stereotypes. In fact, he routinely explodes them.

(Stephen C. Ainlay, Vice President for Academic Affairs, Dean of the College, and Professor of Sociology, College of the Holy Cross)

The Riddle of Amish Culture is essential reading for anyone who wants to unlock the 'mystery' of a fascinating people whose simple, community oriented ways have much to teach us. Professor Kraybill's extremely informative book is a valuable resource, every semester in my classes for teachers.

(Ed Daniels, Lecturer, Stony Brook University, National Board Certified Teacher)

Kraybill moves seamlessly between the fascinating details of Amish life and the meaning of modernity, illuminating both as he informs and provokes in the best tradition of accessible scholarship. [His] masterful analysis of Amish life provides the perfect springboard for students to explore the meaning of modernity and to question the assumptions of their own culture.

(Marc Olshan, Professor of Sociology, Alfred University)

Kraybill's masterful analysis of Amish life provides the perfect springboard for students to explore the meaning of modernity and to question the assumptions of their own culture.

(Marc Olshan, Professor of Sociology, Alfred University)

Kraybill's study of the Lancaster Amish community is an excellent introduction to the Old Order world for both students and general readers. He enables us to see the Amish not as leftovers from the past, but as 21st century people whose confrontation with modernity is guided by the same devotion to religious principles that marked their ancestors as radicals. This book helps us solve the riddles of Old Order society.

(Karen Johnson-Weiner, Assistant Professor, Department of Anthropology, SUNY Potsdam)

Students of human nature and those baffled by the seeming inconsistencies of Amish culture will find compelling explanation in Donald Kraybill's The Riddle of Amish Culture. In the new research on youth groups, Kraybill explains how a time of testing the limits and tasting the fruits of worldliness in adolescence has a 'redeeming function.'.

(D. R. Elder, Professor of Humanities, The Ohio State University-ATI)

The well documented book is an excellent field trip. It includes informative chapters, excellent notes, thorough bibliography all presented with clarity and correctness.

(Richard Rouillard, Professor of English, Oklahoma City Community College)

From the Publisher
"The riddle of Amish culture in America is: how does it continue to dramatically prosper while unilaterally resisting the very core of mainstream American prosperity—technology? The surprising answer—adaptation and compromise—is given in loving detail in this great book."—Whole Earth Review

"Kraybill relies on his own and others' research, as well as on personal interviews with Amish men and women. The resulting book is a hybrid—written in a non-academic style that is appealing to the general reader who wishes to learn more about these unusual Americans, but also exploring the Amish in scholarly depth."—Philadelphia Inquirer

"A sophisticated portrayal of the apparently simple but actually very complex Amish . . . A well-illustrated guide, this work gives loving but unsentimental attention to the precarious culture under examination."—Christian Century

About the Author

Donald B. Kraybill is Distinguished College Professor and Senior Fellow in the Young Center for Anabaptist and Pietist Studies at Elizabethtown College, Pennsylvania. Widely recognized for his work on Anabaptist groups, he has authored and edited many books, including The Riddle of Amish Culture and The Amish and the State, both available from Johns Hopkins.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Engaging study of Amish relevance
By Paolo & Francesca
I couldn't have found a better book to introduce me to the Amish in America. Professor Kraybill's book is detailed, well organized, insightful, and well written. He illuminates Amish customs, beliefs, culture, and the ways the group has changed over the years. He answers the question, despite their peculiarity and restrictions on individual freedom, why have the Amish survived and thrived in modern times? High birthrates and low attrition have caused the Amish population to grow exponentially in the last century. Their venture into business, work ethic, and ability to adapt modern technology without compromising their values have enabled them to thrive financially. Most Amish are better off financially than moderns because they have a low cost of living, lots of help from friends and neighbors, and equity in the form of land passed down to them. Modern people have to deal with student debt, keeping up with consumer trends, maintaining an adequate wardrobe, high transportation and housing costs, high healthcare costs, etc. etc. Professor Kraybill emphasizes the benefits of Amish culture but also thoughtfully addresses the criticisms of Amish culture.

Even though Amish culture seems complicated with many rules and restrictions and confusing compromises, a few defining values guide their lifestyle. The first is the value of community over individualism. In Amish society, individual needs are subsumed to those of the community. The pursuit of personal achievements, higher education, artistic expression, and freedom of dress, occupation, and gender roles are curtailed in Amish society. But the individual receives many benefits from the community such as a sense of identity in a clearly defined culture; the closeness and support of family, neighbors, and church; a lifestyle that integrates work and home. The Amish value of humility explains their plain dress, their hard work ethic, and their eschewal of conspicuous consumption or anything that displays wealth or status. Even though some Amish may be very wealthy, they maintain equality in the community by using the same form of horse and buggy transportation, the same dress, and relatively modest furnishings in the home. Although trying to distinguish oneself through wealth, power, education is not allowed, the Amish also do not have members who are neglected or left in poverty. The sick and the elderly are cared for at home, and children are educated near the home, and those who experience hardship are given mutual aid.

The Amish seem strict in their rejection of technology but they have actually been very saavy in adapting to modernity. Technologies that enhance productivity have been adopted. Even though grid-powered electricity is not allowed, the Amish have adopted diesel powered engines, natural gas for heat and cooking, and air pressure powered appliances. Even solar and wind power are coming into use in the community. Modern furnishings, plumbing, use of medicines have made modern Amish life much more comfortable than in previous eras. What the Amish has preserved is their own education, religion, values, and sense of simplicity, equality, and community.

What would have made the book better is more case studies and more discussion of the drawbacks of Amish life. The Amish admirably avoids many of the ills of modern society. My feeling though, is that gender equality is absent in Amish culture, and they have no way of dealing with gay or transgendered individuals. What about the practice of shunning people who do not conform? Denying children the pursuit of learning or occupation of their choice, confining women to the home and raising large families, are rather problematic. A more honest discussion of these topics would have been good.

I really appreciated the discussion of Amish culture's relevance to modern society in the last chapter. The Amish serve as a foil to our individualistic and materialistic society. It helps us compare what works and what doesn't. Despite not having modern conveniences and personal choice, the Amish have high quality lifestyles where crime is low, divorce is low, poverty is low. While ambitious people would feel oppressed in Amish society, regular people also do not have to struggle so hard to have a basic standard of living. Their willingness to stay close to home has helped them build social and material capital over generations. The choice of the Amish to remain true to their traditional values is ironically modern because they understand what modernity offers them and have chosen another way. They are an important group to help us understand ourselves as much as they are fascinating on their own.

1 of 1 people found the following review helpful.
Thorough, expert description
By bookaddict
This is an extensive treatment of many questions relating to Amish culture by one of this country's foremost experts. It places the Amish in the historical context of the Anabaptist movement in Europe and covers differences in Mennonite and Amish communities in this country, although it focuses on the Lancaster Amish with whom Kraybill has worked most extensively. Kraybill uses sociological principles to explain practices that might seem inconsistent or contradictory; thus, he makes sense of the apparent riddles. I live in Amish country and found that this very informative book answered the questions I had developed over the years. The book would be especially interesting to those already interested in the Amish culture, but most Americans would benefit from some consideration of the value of living apart from the world with a focus on family, faith, and community as opposed to our obsession with materialism and individualism. Although it is more work to read a scholarly book like this, I think it is much more balanced and informative than some of the popular memoirs written by a single individual who has left the Amish community.

Note that this book has photographs and several diagrams and tables that are hard to view on the original Kindle. On the other hand, reading it on a Kindle makes it easy to search for important terms and historical facts presented earlier--important in an long book if you read it over several weeks, as I did.

1 of 1 people found the following review helpful.
Best book on the subject. No contest. Read this if you want to understand Amish culture.
By Aisling D.
If you're trying to make sense of a complex culture, especially if you expected it to be plain and simple, this is the book to read. I've bought (and read) many books related to the Amish, but nothing else matches this book for a thorough and in-depth picture of what makes them like us... and very different, too.

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Jumat, 25 Juli 2014

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  • Sales Rank: #962188 in Books
  • Published on: 1993-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 8.25" w x .75" l,
  • Binding: Spiral-bound

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  • Sales Rank: #86102 in Books
  • Brand: Brand: Barron's Educational Series
  • Published on: 1992-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .28" w x 5.00" l, .34 pounds
  • Binding: Paperback
  • 144 pages
Features
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Phonetic readings in English, by Daniel Jones

  • Sales Rank: #14318366 in Books
  • Published on: 1935-01-01
  • Binding: Paperback

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Jumat, 04 Juli 2014

[Z428.Ebook] Fee Download The Maeght Family: A Passion for Modern Art, by Isabelle Maeght, Yoyo Maeght

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The Maeght Family: A Passion for Modern Art, by Isabelle Maeght, Yoyo Maeght

If modern art has a “first family,” it might very well be the Maeghts, whose gallery in Paris provided a literal and figurative base for so many 20th-century masters.

Here for the first time ever in book form is the story of this extraordinary family, filled with illustrations and documents by some of the legendary artists associated with it: Matisse, Braque, Duchamp, Miró, Chagall, Calder, Kandinsky, Giacometti, and many others. Spinning this remarkable tale with an authority and in-depth knowledge that only family members could provide, Isabelle and Yoyo Maeght recount key events in the family’s life, including the Maeghts’ greatest legacy of all, the world-renowned Aimé and Marguerite Maeght Foundation, home to some of the greatest masterpieces of modern art and an architectural marvel in its own right.

  • Sales Rank: #1748394 in Books
  • Brand: Brand: Harry N. Abrams
  • Published on: 2007-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.50" w x 9.25" l, 4.39 pounds
  • Binding: Hardcover
  • 312 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Really good purchase
By Mimble
I was extremly impressed with this book when it arrived. Really good value for money and jam packed with quality reproductions of classic art works. I didn't know about the Maeght Family when I bought the book and it turned out to be a really interesting education. Definitely recommended.

1 of 1 people found the following review helpful.
Amazing family
By David M.
Here is a concise chronology of a great art family of the 20th century. Crisp pictures help you visualize the glory of not only the foundation museum but their creative output and how they lived.

0 of 1 people found the following review helpful.
mellow family portrait of sly art dealer
By Chris Reinewald
Met zijn instinct voor kunst zorgde Aimé Maeght en zijn galeries in Parijs en Barcelona ervoor dat werk van Bracque, Giacometti, Miró, Matisse, Calder en Chagall in belangrijke particuliere en museumverzamelingen kwamen.
Daarbij liet de kunsthandelaar in het zuid-Franse St Paul de Vence de prachtige Fondation Maeght, een privé-museum met zijn collectie, bouwen.
Kleindochter Yoyo Maeght geeft in een lijvig fotoboek vooral een beeld van de dynastie waartoe zij behoort. Inhoudelijk laat ze echter vrijwel niets los over haar grootvader en diens vaak bikkelharde manier van kunst-zakendoen.

Over hoe je de naam Maeght uit Hazebrouck, Frans Vlaanderen uitspreekt, bestaan verschillende opvattingen, "Maagd" is uiteraard correct maar in de Franse dagelijkse praktijk lijkt "mèkt" meer voor de hand te liggen.
Er bestond overigens een (minieme) kans dat Aimé Maeght (1906-81) een Nederlandse kunsthandelaar van wereldformaat zou zijn geworden. Als gevolg van de Eerste Wereldoorlog in 1915 vluchtten zijn moeder en haar vier kinderen namelijk naar ons land. Vader Maeght, werkzaam bij het spoor verdween eerder bij eerdere oorlogshandelingen in 1914. Een jaar later werd het ouderlijk het huis plat-gebombardeerd. Een jaar later bracht het Rode Kruis het gezin Maeght naar de Cévennes.
Met het heerlijk in een Meditterane zon gekoesterde privémuseum Fondation Maeght, dat in 1964 opent, lijkt de geliefde (=Aimé) zich te revancheren op zijn onrustige vroege jeugd en het latere verlies van zijn tweede zoon.
Aimé's ontwikkeling tot kunsthandelaar en maecenas is echter vooral aan zijn zuid-Franse vrouw Marguerite Devaye te danken. Het paar trouwt in 1928.
Aimé is dan affichedrukker; een vak dat hem altijd blijft boeien en inspireert tot de prachtig gelithografeerde edities en het fameuze kunstenaarscahier `Derrière le Miroir', dat bij iedere galerie-expositie zal verschijnen. Marguerite opent in 1936 in Cannes een winkeltje waar zij luxe huishoudelijke voorwerpen en radio's verkoopt. Door zijn affichedrukkerij ontmoet hij de post-impressionistische schilder Pierre Bonnard, die ooit zelf litho's drukte. Bonnard complimenteert Maeght met zijn drukwerk en raakt met hem bevriend. Aimé wordt tussen 1939 en 1940 vanwege de Tweede Wereldoorlog in Toulon gemobiliseerd bij de infanterie maar keert na de Franse capitulatie terug naar huis. Marguerite stelt haar winkel ondertussen steeds vaker open voor exposities van lokale kunstenaars. Door hun vriendschap met de plaatselijke politicus en galeriehouder Jean Moulin in Nice krijgen de Maeghts interesse in de meer professionele kant van de kunsthandel. Als Moulin vanwege zijn verzetsdaden in 1943 wordt opgepakt en geëxecuteerd wordt verhuizen Moulins secretaris en de Maeghts veiligheidshalve naar Vence.
Doordat Maeghts familie in etenswaren handelt lijdt men zowel fysiek als financieel geen gebrek.
Bonnard stelt hen voor aan zijn vriend Henri Matisse die kort daarop een serie portretten van Marguerite maakt. In 1944 vraagt hij Aimé hem te vergezellen naar zijn Parijse atelier waar hij sinds zijn verhuizing naar Le Cannet niet meer komt. In parijs haakt Bonnard Maeght over om de Schoeller Galerie over te nemen. De oorlog heeft de Franse kunsthandel volledig lamgelegd. Als Maeght in oktober 1945 aan de Rue du Téhéran in Parijs zijn eerste galerie opent neemt hij een enorme voorsprong op zijn vooroorlogse collega's.

Aimé's eerste expositie is er een met nieuw werk van Matisse. Deze laat zich in de regel vertegenwoordigen door zijn zoon Pierre, zes jaar ouder dan Aimé.
Pierre Matisse vestigde zich rond Kerst 1925 in New York waar hij zijn kunsthandel opzette en werk van veel Franse kunstenaars aan de nieuwe Amerikaanse musea en privé-verzamelaars wist te verkopen. Het is begrijpelijk dat Pierre als handelaar met de oudste rechten wantrouwig naar de nieuwkomer Maeght kijkt. Welbeschouwd worden ze gezworen concurrenten al maken ze dat nooit publiekelijk. Ook Yoyo Maeght zwijgt in haar boek daarover.
Maar in de brievenbiografie `Matisse, Father & Son' citeert John Russell een brief uit 1945 waarin Henri Pierre voor Maeght waarschuwt: "Vergeet niet dat hij wel eens je toekomstige vijand zou kunnen zijn."
Uiteraard bezoekt Pierre zijn vaders expositie bij Maeght met beelden, tekeningen, schilderijen en zelfs foto's die het scheppingsproces tonen. Hij vindt de tentoonstelling goed ingericht, maar van de entourage gruwt hij. Zijn vader schrijft hij: "Het lijkt wel een boudoir, een wachtkamer van een dokter die indruk wil maken op zijn rijke patiënten en maakt niet de indruk van een serieuze kunsthandel.
Ze denken dat ze het goed doen maar bereiken door die poenigheid juist het tegenovergestelde." Per kerende post valt Matisse zijn zoon bij: "Aimé Maeghts opvatting van elegantie is ronduit ridicuul."
In 1947 exposeert Maeght zijn enige avantgardistische expositie: een shockerende, surrealistische installatie van Joan Miró en Marcel Duchamp met een geblindeerde naakte vrouw. Marguerite Maeght kan er wel om lachen.
Anders dan de introverte Pierre Matisse is Maeght een levensgenieter en een man van het grote gebaar. In de jaren zestig wanneer zijn handel op haar hoogtepunt is fêteert Maeght zijn kunstenaars bijvoorbeeld op diners en logeerpartijen in zijn buitenhuis in St Paul de Vence en rijdt hij ze persoonlijk in zijn Rolls-Royce naar de Biennale van Venetië. Maar ook waagt Maeght zich aan nog niet gearriveerde kunstenaars zoals de Nederlandse broers Geer en Bram van Velde. Hun expositie in 1948 verkoopt slecht. Maeght beëindigt het contract maar koopt wel klein werk van Bram van Velde aan. In 1960 is het tij gekeerd en doen zowel de directeur van het Van Abbe Museum, Edy de Wilde en Willem Sandberg van het Stedelijk Museum in Amsterdam verwoede pogingen om bij Maeght een schilderij van Bram van Velde te kopen. De onderhandelingen mislukken. Beide gemeentemusea vinden de vraagprijs te hoog.

Het aanstellen van een directeur voor de lopende zaken in de galerie in Parijs geeft Aimé meer armslag voor de kunsthandel en het maken van buitenlandse reizen. In 1952 bezoekt Sandberg Maeght om een vroege Miró, `Hirondelle, amour' te kopen. Het doek moet zo'n 8000 euro kosten; te duur vindt Sandberg.
Pas na een Miró-expositie in het Stedelijk (1956) koopt hij negen, dan recente kleurenlitho's en een surrrealistische assemblage uit 1931 - voor zo'n 1200 euro - aan. Maeght schoot vaak onder Pierre Matisses duiven. Zo stelde hij alles in het werk om het wereldwijde alleenrecht op Giacometti te bemachtigen. Stokend in de lange vriendschap tussen de beeldhouwer en Matisse loog hij dat Giacometti hem al benaderde voor een expositie in zijn Parijse galerie. In 1953 op werkbezoek in New York verkoopt Maeght een nieuw beeldje van Giacometti door aan een Amerikaanse kunsthandel en schendt zo Matisses exclusiviteitsrechten.
Giacometti geeft daarop aan Matisse toe onnadenkend te hebben gehandeld en verbreekt later alle banden met Maeght.
Op vergelijkbare manieren pakt Maeght Miró en Chagall in: kunstenaars die Matisse dan al sinds hun armoedige, prille begin had vertegenwoordigd.
In dat opzicht bekijk je de Fondation Maeght anders. Met het op Amerikaanse leest geschoeide privé-museum, ontworpen door de Catalaanse architect Josep Luis Sert, die ook Miró's studio op Majorca bouwde, wil Maeght zich niet als handelaar maar als beschermer van de kunsten profileren. Hij nodigt dichters als Jacques Prévert en Louis Aragon. Giacometti maakt voor de binnenplaats een beeldenserie, Georges Bracque decoreert een "visvijver". De gewichtige Andé Malraux, president De Gaulles rechterhand en cultuurpaus opent in 1964 de Fondation. Bij het feest treden Duke Ellington, Ella Fitzgerald en Yves Montand voor de gasten op. Rondom een beeld van Miró wordt een artistiek ballet gedanst.

Aimé heeft twee zonen. Bernard, de jongste overleed op zijn 12e.
De oudste zoon, Adrien Maeght is minder extravert dan zijn vader. In 1956 begint hij voor zichzelf een nog steeds bestaande Parijse galerie onder zijn naam aan de Rue du Bac 42. In 1974 opende de familie in Barcelona, naast het Museo Picasso, nog een Spaanse galerie. Miró kan nu ook in eigen land exposeren.
Als Maeght Éditeurs vervaardigt de familie in eigen drukkerswerkplaats hoogwaardige grafiekedities. De door dichters geschreven kunstenaarscahiers `Derrière le Miroir' zijn vaak voorzien van een -op metaal in hoge oplagen- gedrukte kleurenlitho. De cahiers zijn op veilingen inmiddels hoog gewaarde verzamelobjecten.
Reizend door de VS legt Aimé onvermoeid nieuwe contacten met een jongere generatie kunstenaars. Colourfieldpainter Elsworth Kelly maar ook de New Yorker-illustrator Saul Steinberg komen bij Maeght exposeren. De Ier Francis Bacon maakt zijn Franse debuut bij Maeght in Parijs.
In haar fotoboek geeft Yoyo Maeght een liefdevol beeld zien van haar grootvader Aimé. Ook te zien is hoe zijn passie voor de kunst gepaard ging met een hoge dosis ijdeltuiterij. Het leverde Frankrijk evenwel een prachtig museum op. Het type kunst dat de huidige generatie Maeght brengt is te kenschetsen als beschaafd-moderne salonschilderkunst. Interessanter is dat Yoyo en haar zus Isabelle Maeght, dochters van Adrien, de archieven van de familie ontsluiten. Hun vader Adrien maakte al op jonge leeftijd foto's en super 8 films in de ateliers van de Maeght-kunstenaars. Een erg mooi privé-filmpje was verleden jaar nog in het Cobra Museum te zien: Alexander Calder voert, al mompelend, met zijn geknutselde fabeldieren een circusvoorstelling voor de meisjes Maeght op.
Als je zo'n heerlijke met kunst doordrenkte jeugd hebt gehad, vergeet je gauw de minder aangename kanten van je geliefde grootvader.

[as published in Tableau Fine Arts Magazine]

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Kamis, 03 Juli 2014

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People are an organizations' biggest asset and easily amount to 30% of company costs so even small improvements can have a bottom-line impact. A unique toolkit to an important new trend,  People Data demystifies and simplifies the process of understanding and working with human capital metrics.

  • Sales Rank: #1535814 in Books
  • Published on: 2015-06-09
  • Released on: 2015-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.79" h x .44" w x 5.10" l, .50 pounds
  • Binding: Paperback
  • 182 pages

Review

'Throughout People Data, the author provides valuable insight and guidance on human capital metrics and fact-based people decisions. By utilizing people data across the employee life cycle, managers can make people decisions with greater clarity and confidence. This is a book that has been needed for years and a useful primer for a business culture that is only likely to grow in importance in the 21st century.'

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Tore Krog, Chief Occupational Medical Officer, Ringnes Brewery, Norway, as part of Carlsberg Group, and CEO, IAAP, 'Business Growth through Work Engagement', China and Vietnam

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Jack Wiley, Ph.D., Professor of Psychology, Manchester University, Indiana, USA and former President, High Performance Institute by Kenexa, an IBM Company

'In People Data, Tine Huus tells us in plain language how to utilize human capital metrics to make decisions around people. The book combines theory and practice, what people data is and how it can be used in the corporate setting. It takes the reader step-by-step through the importance and implementation of human capital metrics. Managing your talent in this way is imperative for any company in today's global competition.'

Kai Hammerich, Office Managing Director, Copenhagen, Korn Ferry

About the Author
Tine Huus has over 25 years of experience within organization development, change projects and consultancy, primarily within the high-tech industry. She has held management positions at Carlsberg, Nokia, Ramboll Group, and Nabisco Brands and was responsible for designing and implementing human capital metrics. She is currently based in Copenhagen and has lived in Finland, Ireland, and the UK.

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Selasa, 01 Juli 2014

[Y240.Ebook] Ebook Download The Hanging Stranger, by Philip K. Dick

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The Hanging Stranger, by Philip K. Dick

The Hanging Stranger, by Philip K. Dick



The Hanging Stranger, by Philip K. Dick

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The Hanging Stranger, by Philip K. Dick

From the lamppost something was hanging. A shapeless dark bundle, swinging a little with the wind. Like a dummy of some sort. Loyce rolled down his window and peered out. What the hell was it? A display of some kind? Sometimes the Chamber of Commerce put up displays in the square.

  • Sales Rank: #1350885 in eBooks
  • Published on: 2015-08-24
  • Released on: 2015-08-24
  • Format: Kindle eBook

About the Author

Stacy Smith is a senior testing engineer with Juniper Networks. He has over 20 years of experience developing network automation for enterprise and service provider networks, as well as automating internal testing of new Junos features at Juniper Networks. His experience with Junos dates back to version 3.1 with one of the first customers to deploy Juniper s first product, the M40 router. He holds a B.S. degree in Computer Science from the United States Air Force Academy and is certified with Juniper Networks as JNCIE-SP #4 and JNCIE-ER #4.

Most helpful customer reviews

8 of 8 people found the following review helpful.
A creepy little tale
By Kent Peterson
This is one of the early Philip K. Dick stories but it has the classic themes that will be explored in more detail in his later novels. The main character is a common man who sees something wrong with his world, something out of place. What develops is sinister and enough to make anyone question their grip on what is real. If you like disturbing tales from the Twilight Zone you'll find this tale worth your time.

6 of 7 people found the following review helpful.
Short and Fun
By John Clark
A short and fun read. Free for the Kindle. You might as well download it and spend thirty minutes or less reading it. You just might spend more time than that thinking about it.

1 of 1 people found the following review helpful.
Excellent, Early Dick
By Elliot
This short story is from very early in Philip K. Dick's career (1953), but the theme of paranoia which would be so important in his later work is already fully developed here. This story was published about a year before Jack Finney published his novel Invasion of the Body Snatchers; I don't know if Finney was influenced by Dick, but there are certainly parallels between this story and Finney's novel.

See all 69 customer reviews...

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